*I saw someone talking about Mark's sexuality. Pay attention to the part of being in bed with Helen. After hearing his son's cry, Mark ran out, naked, blocking key positions with shadows.
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Written may not follow the timeline, write wherever you want. I'm just pointing out a few, not going to write particularly long writing about trust and control, freedom, political metaphors, etc. Because deconstructing ambiguity in this way is very boring, it just needs to be thought-provoking. Hope you can help to correct the problem.
1. The tortured dancer in the videotape
The one guarding the porch at the end is also her, seduced by the devil turned Mark, tempted to face reality with violence. The political metaphor is clear.
2. Monster
As the timeline progresses step by step, the monsters become more and more human-like. The part of the intercourse between humans and demons that has been shouting almost should mean that it is about to be completed. )
After the second detective goes in and sees the monster, the color of the bedside is the same color that adjani oozes from the last part of the subway station.
After the monster turned into Mark, the clothes are very similar to Henry's
3. Body Obsession
The first time is after Mark helps his son undress, the second time is after Anna comes home after the incident, and the third time is when Margit dies in the kitchen and wipes Mark's body, but the protagonist of body obsession became Anna.
Interestingly, the part with Helen and the part with Margit didn't appear.
4. Pink collar man
There is a scene at the end where he takes off his shoes and shows off his pink socks, echoing the opening scene when Mark is about to quit his job when an agent asks if the man he's tracking is still wearing pink socks. I really don't understand here, can anyone explain it?
Fan Collar is a very straight character, and it can be seen from his answers and questions that he goes straight to the goal, which is very choking.
5. When Mark went to Henry's house for the first time, he could see that he had a lot of books in his house. He was a sports person and had some art collections. Judging from his mother's attire, he should be a person of taste.
6. Through Mark, it is said that Anna resigned a year ago, so the videotape should be made a year ago, and it was also good with Henry at that time. Henry also appeared on that tape. There is a lot of direct information in the videotape.
Combining the situation of Mark's collapse in the suite after the beginning and the appearance of adjani here, and paving the way, you can feel what kind of state of entanglement in Anna's heart a year later.
7. There is a close-up of the face after the sex in the kitchen, which is very abrupt, maybe it is related to the close-up of the face (gazing at Jesus) after the description of Anna's loyalty and cheating sister.
8. Mark's little actions, little words
Mark's eyes actually revealed a lot. His eyes began to roll, or the direction of his stare changed rapidly, basically observing the behavior of the other party, a bit of an occupational disease. In short, many of his actions are actually cover ups, including with Helen and detectives.
As an interesting but inappropriate example, he stuttered when he asked the detective for help when he described Margit coming home to help his son.
9. Anna and Helen's attire
Anna is all dark black, and even wears black stockings. Helen's whole body is white, which should be to reflect the binary opposition. Helen's eyes are green, probably to enhance the eerie atmosphere of the ending.
10. The part of Henry's mother talking on the phone with the male protagonist reflects Mark's mood with the sudden change of light and dark frequency.
11. Dying Dog
The old dog's story is completely reproduced on himself, climbing the stairs extremely reluctantly, ironically, he didn't go under the porch and didn't make a sound.
12. Strange but direct words
A conversation the second detective had with Ana after he went in
Helen chatting with Mark in the kitchen, there are many comparisons with Anna, and what she said after holding the knife that Anna attempted to commit suicide
13. Slogans on the wall, people constantly watching, the sound of plane bombing accompanied by Helen's strange eyes
14. A few things I don't understand at all
After Anna tries to be hit by a car, a shot looks up at Mark, and then cuts to Mark and the child playing football. I don't understand this paragraph at all
Why did Mark jump in the end?
Reason for killing Margit: Margit wants to take him, the reason is hard to explain, is it Anna's paranoia?
15. Gods and Demons
Perhaps the disease can also be added many times.
Appearing in Henry's letter, the literal translation is "I have seen half of God's face, and the other half is you".
Henry in front of Mark's house, a dialogue between sickness and God
After Mark burned down the apartment, there was a woman shouting downstairs. I couldn't tell who she was, but there was luggage nearby. What she meant by shouting was the divine light of God's vengeance, which would cause a bloody mess.
After sex in the kitchen, Mark says God is on the porch
It can be felt that everyone seems to have a somewhat perverted understanding of the relationship between God and the devil. It naturally extends to politics
The following is the general impression of a brush, very immature.
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Everyone has their own reasons. They think they know what the other party thinks, but they can't communicate, so they have to solve it through other means. It's really hard to evaluate a pose. Zulassky has put in too many things to think about, and there are some pretty good metaphors and connections, but because there are too many things to express, it's very bloated, some of which are not necessary or Can't reflect much, it's too shallow. Breaking beautiful things a little bit may be the director's favorite thing to do. It's hard to watch adjani cry, struggle with choices, and be destroyed a little bit.
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