The only thing left on my mind now is this question: Who are you?
Real life; dream imagination; film and television plots. The three scenes are switched differently, and it is even indistinguishable from each other.
Wei Ma has never been a real body, and gradually formed a virtual Wei Ma. The real Wei Ma has transformed into a film and television star, and the virtual Wei Ma is still an idol singer.
The fans of the administrator, from the beginning, followed the main body Weima, and then imagined a virtual Weima by themselves, obeying the words of staying in the United States, and assisting his work.
Staying in the United States, on the surface, is Weima's manager, and at heart is the author of Weima's house. The original Weima was originally the realization of his dream, but after Weima's transformation, he had to imagine a virtual Wema in his heart (actually It is itself), ready to replace the real body Mima.
Weima himself killed the administrator and Weima in Liumei's heart.
The administrator and the imaginary Mima who stayed in the United States killed the screenwriter and photographer.
Mima, who had fantasized about staying in the United States, killed the administrator and the manager.
Mima in the mind of the administrator and Liumei is dead.
The final Weima, although still Weima himself, is no longer the Weima it once was.
And in the end, in Wei Ma's heart, who are you?
About the details, it is almost clear, but it is necessary to look again.
At the same time, I think of other films, Farewell My Concubine, who is not mad and can't live, Requiem for a lost dream, Mulholland Road, where dreams are intertwined, and others. There are many more films about multiple personalities. The Department of the House, this kind of storytelling interpretation, is also no one..
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