"Auxiliary Beauty", Will Smith's heartwarming work after "Seven Pounds". Natural mourning and warm temperament. Exquisite plot arrangement. Story and poetry abound. Howard, an advertiser, is devastated after the loss of his daughter. The three endangered partners of the company stopped their losses, and the actors played Howard's three phantoms "love", "death" and "time" dialogue scenes, and the three partners' real encounters just echoed the three visual themes, the double-button structure, and the Ambush his wife tenderly and wait for the final unraveling of the knot. There are stories, emotions and good actors. Speaking of which, it may be because of me. This type of redemption story that I loved the most can't impress me anymore. The plot is so laid out that it may have just reached that point, and the pen has turned to another place. It is indeed difficult to tell the total score of three themes and four stories in a hundred minutes, and it is paradoxical and powerless to try to prove that he is not indifferent. Or maybe this is the intention of the story itself, until the point is reached, the ink through the paper is left to the afterglow. Don't use too much force. When we talk about life, it is easy to fail to grasp the fire with a little scrutiny. When we try to grasp the fire again, we lose life itself. Some people want to be real, some people want to be happy, and more people don't know what they want, or borrow or borrow from others, and slowly pretend they want something, thinking that they really want it. Go around, pretend to be smoky. This is not the intent of the text itself. It's here, it's not writing, presenting, interacting for you. As arranged in the plot of "The Sixth Sense", everyone is like a ghost, and they can only see what they want to see. This is not a bad thing. Auxiliary Beauty's downfall may also be its attempt to elevate something -- by blurring the line between reality and story. It got me thinking about my writing and thinking. More than one person feels that they want to refute and complain. Real people are not like this, and real life is not like this. It is not necessary to outline the online value. It doesn't have to be kitsch. You don't have to use bells and whistles to teach your teachers. Not necessarily that many people are willing to listen. - Let's go back to this topic sentence. The film is interspersed with slightly exaggerated arias, about death, about love and about time. If you are not sincere enough, it is easy to dance. Yes, because that's not the case in our real life. — and when we face a serious and timeless topic, it is appropriate to take a little classical treatment and poetic homage. There is no intention of self-justification, and the text itself expresses and engages itself. All meet here. It's funny that I don't think the movie touches me on anything. But it made me want to move. It was as abrupt as the protagonist's signature return to rationality. We believe that enlightenment is a gradual accumulation of an epiphany, and it should have a ritual to meet the logic. But this is life, as you have emphasized. Change is not about waking up and changing the past. Change is going to bed earlier today and waking up later tomorrow. is to reduce metastatic intake when unhappy. It's open windows for ventilation. It's time to eat. Sometimes mindless, sometimes unhappy. The moon forgot.
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