The male protagonist is the little boy in Ender's game. From the first second Asha's immature face appeared, I vaguely felt that this movie would be out of the category of science fiction. The first fifteen minutes of the film struggle to disguise itself as sci-fi, though it feels full of irrationality (including Gary Oldman's inexplicable rant throughout). As Asha came to Earth from Mars, the movie began to free itself from the reins of sci-fi. From campus movies to romance movies to road movies to grief-stricken family-hunting movies, you can never guess what will happen in the next second. Gone are the styles that transform into. The core of the whole movie is actually looking for relatives, and Gary Oldman's inexplicable anxiety throughout the movie is also because he is the father of the male protagonist. Such a bloody plot is simply not what the audience will think about. Even when the male protagonist was bored in the sea to seek death, he was not moved throughout the whole process, but only wondered. The aggressive female protagonist became a stupid girl all the way because Mao met the male protagonist.
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