The screenwriter is weak, and the logic is slightly poor.

Horacio 2022-03-25 09:01:11

The screenwriter is weak, and the logic is slightly poor.
1. If the protagonist is almost headshot on the street, he should call the police immediately. If he dares not because of a murder, he should at least find a private bodyguard or buy a weapon. As a result, I went to work normally the next day. Is there such an unreliable person?
2. The black policewoman knows the power of the criminal, and she had no confidence in the safety of the protagonist that night. Why not increase the number of people? Isn't this watching her colleagues get killed?
3. The protagonist even held a baseball bat in self-defense after the black policewoman almost positively stated that they could not guarantee the safety of their family. Is it reluctant to buy a gun?

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Extended Reading
  • Alysson 2022-04-22 07:01:39

    Abrupt, the male protagonist lacks tension in the process of change and revenge, but KB's moving performance saves it. Compared with the villain's death, it is still literary, and the garage chase is the highlight... Compared with similar movies with the protagonist of the agent, the revenge is rough but highlights the real texture, and the male protagonist is reckless and not rigorous enough. Some people criticize the screenwriter, but it is precisely because of this that the emotional expression is strengthened

  • Estefania 2022-03-26 09:01:08

    Good movie, if it were me, I would do the same~

Death Sentence quotes

  • [last lines]

    Detective Wallis: Your son. He started moving. I think he's going to pull through.

  • Billy Darly: [to Joe, referring to Brendan] That's your guy! Do this, or you're not one of us! Do it! You can do this.

    [Joe slices Brendan's throat open]

    Billy Darly: That's my boy.