In 1912, when the storm was about to come, class conflict. Everyone in Sin House is forced to look at their actions, some obviously regret what they did, while others are more concerned about their place in society! Why didn't God save the female workers? You say that God's censure is deep, and so is his compassion. That night and the war that followed, God could do nothing to change the outcome of his own accord. The first half is very exciting, the character performance and plot development are perfect. But being clever and far-fetched for the next 15 minutes. I can't see Mr. God's motive for doing all this at all. Regarding the world in the movie, instead of saving the woman who committed suicide, he helped the family prepare their minds instead? It's rare for a British film to be so illogical, especially for a reasoning film.
The film uses a unique narrative method to slowly restore a seemingly ordinary suicide case, and behind the case is a calm torture of morality and human nature. In a limited space, dialogue is used to promote the plot to increase the dramatic tension. At the same time, the screenwriter's attention to details is tight and logical, which is really impressive. The final reversal further enhances the power of the theme. The actors' performances were also excellent.
Ben was worried that too many coincidences and astonishing concentration would ruin a play, but when the conversation changed, one unfortunate woman turned into thousands of unfortunate women, and the pattern suddenly opened up. Who hasn't encountered a moment when seeking justice and failing to seek love, a moment when someone was blamed for an unintentional loss? In those moments, we all became Eva. Eva has become a symbol of suffering, and even the name Eva is meaningful.
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