She stammered and said many things that were not on time. A friend said before that if one day she was destined to choose between blind, deaf, and dumb, she would choose to become blind. I said that life for the blind would be very inconvenient, very scary and difficult to adapt to at first, and I would rather choose not to speak. She said that speaking is the most important way to express herself, and she cannot give up no matter what.
It is estimated that Woody Allen is the person who will not give up his right to speak no matter what, who knows, I don't know him well. I just wanted to talk about a few scenes that I like.
1. The father and dj in the film are in a waterside restaurant in Venice. The sun is shining outside, and the canopy on the ceiling of the restaurant is fluttering with the wind. I didn't listen carefully to what the two of them said. I was looking at the sunlight behind them and the people boarding the boat, as well as the occasional drape, waves and sound of water. There is no obvious light on their faces, and the camera doesn't even pay too much attention to the two of them. I think the director and cameraman, they form a light and dark shadow with the background, just like Fang Ni played by Julia, who studies literature and art. The woman of history likes the brushstrokes of the painter. The intertwining of light and dark indicates the impossibility of her father and Fang Ni. Fang Ni likes reality, but what she longs for is the product of excess imagination. If it is unreal, it does not necessarily have to be realized. Once realized, there will be new ideas. imagination arises.
2. The eldest daughter and the fugitive, go to pick up the accomplice of the fugitive. The fugitive tells the eldest daughter if you have heard anything. "Birds chirping," the eldest daughter said with a smile. She brought a fresh experience to a date with a social scum. In the depths of the autumn-stained forest, mysterious, beautiful, exciting, all she thought of were good things. Then, bang, the beautiful imagination shattered, and she returned to the embrace of the reality that had been waiting for him. Like a former colleague said, you don't have to get married if you like it. And he said unequivocally that if his mother and wife fell into the water, they would save her. Woody Allen used his film to say that excitement and difference are only temporary, and eventually we have to return to the reality of habit.
3. Fang Ni and her father in the film are sitting in their apartment in Paris. There is a large bunch of daisy flowers in front of Fang Ni. She is wearing a loose sweater, which is warm and beautiful. In her "dream" and the film's father (always can't remember his name) said she was leaving. Green plants cast quiet shadows from the table. The literary Woody Allen, and Fang Ni, who bid farewell to the imagination, ended a love affair with herself. My father has always been a supporting role for others. In the end, I was quite worried that he and his ex-wife would get back together. In the end, he still loved others in other ways. His ex-wife said, "It's good for you that she leaves you." That's right, man, you again You can be yourself.
People still can't just love themselves, and don't use others to love others, but also need others to love themselves. It is best that everyone loves me.
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