The director created 227 pages of expressionism or symbolism The film The Betrayal Prince Kool walks in the back room of a vacant church Candlelight casts his swaying figure on the large painted eyes on the wall The huge figure dangles on the eyes The prince walks again Standing in front of the eyes symbolizes his state of mind when planning a conspiracy, hesitation, indecision, uneasy movie art page 138, characters need to match lighting, costumes and character movement, symbolism, wall decoration, movie art page 143, costumes can also be used in other movies Extreme stylization purely emphasizes its lines and styles such as the sacrificial tsar's robes contrasted with the cloak
Film Art 146 Makeup Czars must wear wigs, beards, eyebrows, and dressing actors as historical figures is one of the most basic functions of make-up.
Film Art 154 pages Lighting and color change on transparent colored paper can also be non-realistic. The film suddenly hits the actor with a blue light, highlighting the person's fear when he learns that his life is at stake. Such tactics often have unexpected effects.
Cinematic Art 162 Pages Comedy isn't the only genre of performance stylization This is a film where music, costumes, sets, etc. are "exaggerated"
Cinematic Art, p. 228 Lifting the camera The scene of a funeral is to shoot the coffin from the height and slowly lower it down.
Cinematography p. 309 The first coronation scene A court singer begins with a deep bass and sings in praise of Ivan and then the syllable rises dramatically
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