Well, my Khan's films are all five-star, although I want to laugh for a while at the beginning, Indians have superficial brains for various action stunts, all of which are my Khan's personal walk, the Indian version of Iron Man, handsome is handsome, Unfortunately, my height is not up to the standard, and besides, my strong point is not to pretend to be cool and handsome, but to perform well, which is suitable for delicate and down-to-earth roles. This kind of male model drama is not his dish. Fortunately, I finally got a Gemini baggage. Of course, the baggage itself is nothing. When we were young, we all understood the 12th house of Saint Seiya, and praised the innocent Samar, which made my sweat useful. It has to be said that Western films are much more sophisticated than Indian films. Contradictory themes like identity struggle can no longer be used as a bright spot. However, they are used as a bargaining chip in Indian films with a relatively late ideological depth. Also, the participation of the heroine is a bit anticlimactic, inexplicable. I thought she would come to the rescue with a good performance at a critical moment, but I didn't expect that she would suddenly become an emotional bargaining chip for the useless police, and then, there would be no more... And then she inherited the Great Indian Circus? The lady of the mud horse turned out to be a conspiracy... If the last two brothers can show their faces and get out of that hole to show that they are not dead, I will be happier
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