I like chapter 2 very much
It was the kind of perfect revenge I imagined, "If he fires me, he loses."
It's enough fun to play. The first chapter makes a metaphor, but the second chapter sublimates and starts to talk about love. The inner logic is so rigorous.
"I want to be picked up and put down by him." Love is control, not freedom. The kind of freedom is probably peaceful coexistence, or you love someone, but you can't make people fall in love with you. Love and being Love is different.
"It's like everything about him is different."
"Love twists things."
third chapter
I was also amazed at the calmness of the Nordics, the mother bringing her child to say goodbye and respecting her husband's choice, which she said helped heal the wound.
But soon realized that this was a routine, "It's okay, we take the bus home, and the children will soon get used to public transportation." It aroused a man's pity and a great sense of guilt, a clever method.
More importantly, this will make the little three present feel embarrassed! If I had known this routine ten years earlier, maybe I could have avoided my own tragedy
Adults and children are the same, I love you, you love him, I lose you, you lose him, except for an extra layer of legal constraints, there is no difference. The question I have been wondering now is, after having a child, does the responsibility become more important, that is, whether to limit the source of happiness for the ontology for the sake of the transmission of its own genes? This is a question I don't understand.
Polyphony is a very magical thing, remember to go to the next music player tomorrow, it's time to listen to classical music.
In the end, the three voices are analogous to the beginning and explode directly.
"I can't feel anything" really scared me, that scene seemed familiar.
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