The director is quite capable, and the number of familiar faces in the British drama is outrageous; Keira has been wearing a street prostitute hairstyle that makes people unable to look directly; Jude Law is leaning on Keira's sick bed, but Keira greets Aaron over, I hear Someone behind him exclaimed, "This woman is so cheap", until Aaron leaned on the shoulder of the bald fur and cried, and the audience laughed. Two-point crossing: "Could Darcy remember Elizabeth Point by Daming Lake any more?" and "Should the wheat field scene pay homage to "White Deer Plain" again? From "Pride and Prejudice" and "Atonement" to this "Anna Callie" "Nina", Joe White seems to be making the same movie. His technical skills have reached the peak, and the beautiful scene transitions are a masterpiece, but the narrative is getting more and more dull, and "beauty" is not enough. . Joe White always shattered my sensual nerves with ease, and this time again, he won. The three scenes with deep memory, round dance, horse racing, and watching the show, transformed the plot of the stage performance into a breathtaking, and the details in each were exquisite, gorgeous long shots, sets, costumes, and music are all in the rapid story. Perfect switching, easy to use. The hasty ending and the rapid development are all common problems in the adaptation of famous novels.
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