Consistent with the characters of similar films in the United States, the heroine has her own circle. While making noise, laughing, and playing the role of the school's famous person in the circle, she satirizes, ridiculed, and belittled outsiders. The high threshold of the circle is the way for people in the circle to maintain their own value. This nihilistic threshold needs to be reflected by ridicule, ridicule, and rejection of inferior people. This person who was ridiculed, ridiculed, and rejected was just a scapegoat, and she took the blame for the insiders. This cauldron is not only because the boundaries are shaped by humiliation, and the boundaries create the value of the circle, but also because the people in the circle project the unacceptable part of themselves on her, and then humiliate her, projection-humiliation-identification-projection-humiliation-identification, This cycle continues unconsciously, maintaining the self-esteem and narcissism of the people in the circle, at the expense of the self-esteem of others and the sacrifice of the true self. Sam is the man of the school. He is in love with the school grass. Every day is full and rich, happy and content, until a sudden accident interrupts all of this. From then on, repeating the same day day after day, looking back on the same day, Sam tried to change the ending, but the doomed thing can't be changed even if it comes over again, just like regrets and regrets in life, let you deny and fight to no avail. But Sam was clearly favored by God, who interrupted the cycle of her daily life and gave her a new cycle—returning to the day of the car accident, the day of death, day after day, the repetition of what seemed like a cage created a The space allows Sam to stop from the rush of adolescence, from the beautiful life in her eyes, to examine the doomed result and explore the reasons. Before the accident, Sam was living in that popular mainstream circle, and after the accident Sam began to notice the other side of reality, filled with hatred for them in the hearts of those who were ridiculed, sarcastic and marginalized by them. In Juliet's eyes, they were bitches, and in Anna's eyes, they were big assholes. Anna can still laugh at herself under heavy pressure, while Juliet is betrayed by friends and overwhelmed by gossip. In the cycle of projected identification, Juliet goes to death. Juliet's death was another wake-up call for Sam. Sam began to be confused about her own existence and that of her friends, whether it was good or ugly, and this doubt made her see herself and her friends in a new light. When sam found out that Lindsay was the one who wet the bed in 5th grade, she saw Lindsay's strong, domineering, self-centered mask of vulnerability, fear, softness inside. At the same time Sam begins to notice the people in her life who love her and who see her as having beautiful qualities. Kent, the person who always said that he knew Sam the best. In his eyes, Sam was brave, righteous, and kind. In Rob's eyes, Sam was optional and replaceable. In Kent's eyes, Sam was the only one, his hero and him. People who love and protect. These discoveries opened Sam's path of self-discovery. In the repeated days, SAM tried various lifestyles and indulged his repressed desires: revealing clothes, molesting teachers, being passionate with ROB, arguing with friends; playing with his sister; reconciling with his mother; and continuing his relationship with the male lead. In continuous action, desire has an outlet, desire is satisfied, and all possibilities have opportunities to be exhausted. After trying every possible version of himself, Sam was finally able to be who he really was, without regrets. Just like the impacted pendulum ball finally returns to its original point, she returns to the original relationship in her life to find identity. At the beginning, Sam painted a line with his nails at the door after the quarrel with his mother, that is the boundary between mother and Sam, Mom is not allowed to step over. Sam is different from Mom, Mom was not popular when she was young, Sam was popular, Mom had not kissed when she was in middle school, and Sam had to give her first night in middle school. This road of rebelling against his mother went to the end and turned back again. The relationship between Sam and his mother gradually improved. Sam asked his mother if he was a good person, and his mother told the story of her childhood. This story made Sam find his own in the eyes of his mother. look. Sam agrees with this look. With a deeper understanding of friends, myself, parents, and love, I agree with the kind SAM in the eyes of my mother who rides all the horses in the stable, just because no horses will feel lost, and I agree with Kent in the eyes of the brave who stood up to protect KENT. Hero, Sam finds the piece of the puzzle that he lost. Sam became himself on the last day, a multi-faceted, enriched, more complete version of himself. This Sam understands the shortcomings of friends, pays attention to the advantages of friends, pursues his own love, tries to save Juliet's life, and tries to change Juliet's self-concept. The car accident and death in the film are unchangeable endings, and the seeds of fate have already been planted. Car accident and death are metaphors for the sudden and stormy symptoms of the visitors, which were also written by fate. If a car accident and death mean trauma, but fortunately, trauma breeds opportunities for growth. Sam repeats that day day after day in the film. This process of finding answers in repetition is much like psychoanalysis. The client recounts the past experiences and stories of joys and sorrows to the analyst, over and over again, over and over again, over and over again, and new discoveries and insights are made in this repeated narration. The process is like a jigsaw puzzle, over and over again. , find pieces of yourself, and slowly piece together into a complete self. This complete process is very similar to the process of Sam finding himself through repetition in the film. Sam found himself on the last day and became himself, clear, free, and determined. In reality, a large number of Sams are still trapped in this modern cage, trapped in the eyes of others, trapped in their own unconscious loops, without knowing it. Unfortunately, we are not God's favorites, and the opportunity to break the cycle is not in God's hands. The car accident and death in the film are unchangeable endings, and the seeds of fate have already been planted. Car accident and death are metaphors for the sudden and stormy symptoms of the visitors, which were also written by fate. If a car accident and death mean trauma, but fortunately, trauma breeds opportunities for growth. Sam repeats that day day after day in the film. This process of finding answers in repetition is much like psychoanalysis. The client recounts the past experiences and stories of joys and sorrows to the analyst, over and over again, over and over again, over and over again, and new discoveries and insights are made in this repeated narration. The process is like a jigsaw puzzle, over and over again. , find pieces of yourself, and slowly piece together into a complete self. This complete process is very similar to the process of Sam finding himself through repetition in the film. Sam found himself on the last day and became himself, clear, free, and determined. In reality, a large number of Sams are still trapped in this modern cage, trapped in the eyes of others, trapped in their own unconscious loops, without knowing it. Unfortunately, we are not God's favorites, and the opportunity to break the cycle is not in God's hands. The car accident and death in the film are unchangeable endings, and the seeds of fate have already been planted. Car accident and death are metaphors for the sudden and stormy symptoms of the visitors, which were also written by fate. If a car accident and death mean trauma, but fortunately, trauma breeds opportunities for growth. Sam repeats that day day after day in the film. This process of finding answers in repetition is much like psychoanalysis. The client recounts the past experiences and stories of joys and sorrows to the analyst, over and over again, over and over again, over and over again, and new discoveries and insights are made in this repeated narration. The process is like a jigsaw puzzle, over and over again. , find pieces of yourself, and slowly piece together into a complete self. This complete process is very similar to the process of Sam finding himself through repetition in the film. Sam found himself on the last day and became himself, clear, free, and determined. In reality, a large number of Sams are still trapped in this modern cage, trapped in the eyes of others, trapped in their own unconscious loops, without knowing it. Unfortunately, we are not God's favorites, and the opportunity to break the cycle is not in God's hands.
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