urban autism

Citlalli 2022-04-19 09:03:19

The dialogue of this film is plain and long, the scene is relatively closed and narrow, the plot is like a slow fire, stewing a pot of clear soup without much content, and finally it boils at the end, overflowing, and the sound of glass breaking has been steady and implied turmoil situation collapsed. But after the conflict broke through the critical point, the film came to an abrupt end, leaving the audience with uneasy curiosity and worry.
The whole movie has a very Japanese feel to it. Some Japanese literary and film works are often based on daily life, fine and delicate, with a small family melancholy, rare grand opening and closing scenes, and the plot is gentle and dull. As an Iranian director, Abbas's grasp of Japanese culture can be called invisible, precise and profound.
Urban autism does not know when it started, perhaps when the city and the countryside were separated, perhaps when people were separated into flats, perhaps when interests gradually overwhelmed the warmth of human nature... This melancholy atmosphere not only shrouded the sky over Tokyo, but also Every city in the world has dark clouds.
Xiaoqiu hasn't seen her family for a long time, and she has little contact with her family. It is rare that she decides to see her grandmother once, but because of the assistance in dating, she can only glance at the old man when the taxi passes by. Professor Watanabe has quite a reputation in the minds of others, but his juniors seem to have broken up with him long ago. He found a girl for help, as if he just wanted someone to talk to and have a warm meal with him. Xiaoqiu's boyfriend wanted to know more and protect Xiaoqiu, which eventually caused Xiaoqiu's fear and alienation. At the end, he broke the glass, broke the concealment, and it was estimated that this relationship would also be broken. The professor's neighbor has been cherishing admiration for the professor all his life, staring at the figure in front of the window for decades, from the prime of a man to the end of his life, this woman has never walked out of her hut, but can only immerse herself in the happiness that is constructed one by one. inside.
Everyone is confined in their own little world, like an isolated island. They can only understand the world of others by looking and imagining them from afar, and it is difficult to set foot on the real land of the other party. People feel uneasy and lonely because of the sense of alienation, but once the worlds of each other overlap, the mind that is accustomed to loneliness will become embarrassed and cramped, and they are afraid that their secrets will be seen by others, so they can only weave one lie after another. , set up walls one after another to protect themselves in a safe and lonely space.

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Extended Reading
  • Kristoffer 2022-04-15 09:01:08

    Abbas blended the reality of Japan into the deepest feelings of the protagonist, Akiko's helplessness as she walked around the square again and again to look at her grandmother, and the tiredness of putting on red lips but sleeping at the professor's house; the film is where the glass is broken. When it comes to an abrupt end, the loneliness that originally collided will burst out... This is the charm of Abbas' films, he doesn't give you a predetermined ending, but just lets you feel it. I miss him often, often. (9.3/10)

  • Syble 2022-04-22 07:02:00

    Good to the extreme, the extreme of the possibility of a poor movie. Wherever Abbas's picture stops, there are endless landscapes and personnel. The double-layered scene used by the protagonist to shave in "Gone With the Wind" has been repeatedly reproduced in various ways. The still picture frame waits for the endless dynamic to faint in. This seemingly contradictory combination introduces the fleeting phenomenon in Zhipu, which just derives Abbas's "window" philosophy ("24 Frames"), It is also the reality of his detached Dharma eye. The de-structured gaze takes the trouble to focus on the characters, staring at their "darkness", but keeping a distance from them, unmoved by their anxiety and curiosity, as omniscient, innocent and silent as a god. But the gods are not just on the sidelines, but secretly guide and stay quietly. The twinkling of neon lights and eyes, the dozing under the signal lights, and the old lady appearing at the window are the "Pluto" moment when the mysterious light shines on the mortal. The story, as Abbas's custom, ends at a critical moment, as if the love and hate of all beings is just a game in the eyes of the Buddha.

Like Someone in Love quotes

  • Noriaki: [subtitled version] What do they teach them in there? As if dusty, old, foreign books will open their eyes.

  • Noriaki: [subtitled version] If we're married, she has to answer me.

    Takashi: Ideally, yes. That's why I'm saying you lack experience.