A feature of almost all of Burton's film covers is that he can always find his ugly pictures in the film to make covers and posters. So far, only two films have been found on the cover that can show beautiful pictures, one is "Spiritual Spring Night" in 1966, and the other is "Broken Heart Flower" in 1952. It's really not easy.
The angle of "Spiritual Spring Night" is well chosen, capturing his majestic and gloomy appearance and personal temperament, as well as his inaccessible sense of alienation and loneliness.
But these two photos are of his right face facing the camera. This is a pain for the repairer. I don't know how long it takes to repair the pits on his right face to smooth it out?
During the release of "Berlin Spy", a film critic made a sharp description, "His face seems to be riddled with the Berlin Wall after many executions" (I almost choked with laughter)
He himself is also very sensitive to this, and he always subconsciously covers his right face with his hands during interviews. acne scars) on my face."
Before shooting, he was worried that the strong light in the black and white film would expose the "crater-like acne scars on the moon" on his cheeks, and the director had to reassure him again and again.
When preparing for the filming of "Spiritual Spring Night", because the role of Professor George was useless, several big-name actors were rejected. They were all afraid of affecting their own image, and finally Burton had no choice but to play by himself.
When he auditioned, everyone thought he looked too strong and too strong.
The producer said, "Oh my God, you look like you have four testicles!"
Burton asked rhetorically: "Are there only four?" (this is his usual British way of humor)
In order to weaken this masculinity, he had to wear cumbersome and ridiculous wide-frame myopia glasses, and messed up his hair to self-destroy his image.
However, in those shots where he took off his glasses, this man with a natural dignified appearance came back, but it also had an unexpected harvest, because such a contrasting image made Professor Henry appear more gloomy and dangerous.
Moreover, Burton's eyes are particularly magical. Once they lose the cover of thick glasses, there is a feeling of "occasionally exposed", which is a bit scary, which is the same as Taylor's eyes. His eyes are aggressive and unpredictable, as if a sea storm could be coming at any moment. If he is silent, I am worried that he will suddenly explode in the next moment. This pair of eyes is also a natural advantage, making his performance easier to have explosiveness and tension than others.
Looking at the profile of the couple, it is really good to see them, they are exquisite and beautiful, almost impeccable, and at the same time have a quite unique style, although they are middle-aged and no better than when they were young, they are born with excellent bones. Supported by the outline of the facial features, he still has the charm of a superstar.
Worthy of being the first female star and the first male star to reach a million-dollar salary in Hollywood, this million-dollar couple can be said to be the leading figures in Hollywood in the 1960s.
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