"One One", I finally finished watching it. It's really not my type, and I can accept the naturalistic way of shooting, but the story and the characters in the story are really unreal. Wu Nianzhen (NJ) has a strange family. After his mother had a stroke and turned into a vegetative state, his wife went to the mountains to hang out with a group of gods. When my son was bullied, no one cared about him, he just laughed it off. The daughter knew a guy and immediately took the initiative to take him to open a room. The boy even escaped. Wu Nianzhen's own company, which does not know what its main business is, appeared inexplicably as a sexist who would invest money as long as the Japanese "Ota" agreed to cooperate. This guy later changed his mind because of the woman "Oda". The logic of the whole movie is inexplicable and the rhythm is slow, it is really unbearable to watch. The movie starts with a wedding, ends with a funeral, and finally stammered a long line of philosophical lines from the mouth of a child, but never understood what the director wanted to say. "Guling Street Teenage Murder", also directed by Yang Dechang, is much smoother. Although the rhythm is also very slow, everyone who has had youth can find their own shadow in the film, and four hours is not boring at all. "Yi Yi", it's really stinky and long, I don't think it's easy to read it. 5 points, failed. If you are not a serious literary film lover, don't waste that time.
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