Many children's shoes who watch the movie seem to be very concerned about this, and Shishimen has a lot of bad reviews because of this. Of course, what I don't know is whether they look down on otaku culture, or simply don't like cute houses, so that as long as it is an anime with a little otaku element, it can make them wear tinted glasses.
In fact, Shishimen seems to be filled with house elements everywhere, but this is inevitable, and it is different from some other houses selling houses.
First of all, the style of the stone door is not homely. For the style of the house, please refer to the rest of the standard house. The girls are all cute with big eyes, and the boys are all with flowing medium and long hair. Girls can't be cute, boys can't be handsome. What about the stone door? How many people will fall in love with this style at first sight? Brooch messy hair, thick eyebrows. . . I don't have it anyway.
Then there are the characters. Character template + too charming house is the reason for being criticized. Character template will not be discussed here. The short content of the animation can't really polish the character's personality, but the characters with bright and simple personalities can make the plot more playful. Mei Zhai is roughly composed of the ubiquitous "dudulu" and Phyllis's "meow". And the play is full of behaviors of all kinds of nerds.
But in fact, I think Shishimen is a "pro-house", but not a "beautiful house". Because the location of the story takes place in Akihabara. Akihabara, in the middle of the three dimensions, is the most nerdy place in the world. In Akihabara, the brooch of the brooch, the dead house like the barrel, the cosplayer like Dudulu, and the maid + the second of the Phyllis can all be found in reality. Therefore, it is no longer valid to say that Shishimen added these elements to cater to the house-oriented crowd. It can only be said that the stone gatekeeper has grasped the relationship between the two in place.
In addition, the background of the story can only take place in Akihabara. If it is not the case, it is difficult to imagine that a genius scientist can get along so well with a broken lab. And only in the electrical street of Akihabara, the parts for making time machines can be satisfied as much as possible. Therefore, "Location Akihabara" is only a necessary premise for the development of the story.
It would be strange if the location was in Akihabara, but these nerdy characters were lost in the play. If you put the story in a place that has nothing to do with Akihabara, add so many cute house plots, or directly draw the characters very house, then you can sell the house and call it Mei house. Compared with a large number of light reforms that simply sell characters, Shishimen's house spirit has basically subsided.
Compared with those masterpieces, what about Stone Gate? To name a few other examples. Giant, Death Note, is Lelouch selling the house? Secondary school, right?
However, Shishimen rationalized Zhong Er, and the story shows the disgust and disgust of others towards Zhong Er. This is the embodiment of pro-reality, not a house. And the stone goalkeeper Zhong Er was integrated into the emotional flow, which also brought the whole story to a climax. It has to be said that it is very ingenious.
"Rationalization" is reflected in the three most important words in the whole plot of Stone Gate. Whether it is the scientific theory part or the integration of the elements of the house, the rationalization of Shishimen can be said to be very good compared to the rest of the Riman. It is also necessary for the development of the plot.
From this point of view, rather than saying that Stone Gate is a house-selling fan, it is better to say that it uses its own excellent plot to publicize the Akihabara house culture to the public and become a "house culture propaganda film".
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