There is basically a boy like this in every class. He is a bit sloppy, his grades are not bad, but he is bored and bored. He just wants to find some new fun every day. There are often two or three small attendants around, and there are also a few little girls who secretly adore him. Ishida will also be such a "King of Children". One day, a transfer girl, Nishimiya Glass, caught his attention. She is hard of hearing and can only communicate with her classmates by paper and pen, but she is also regarded as an "interesting thing" by Ishida. Since then, Ishida and others have been bullying, isolating Nishinomiya, snatching hearing aids, writing "die" on the blackboard, tearing up workbooks, etc., and finally Nishinomiya was forced to transfer to another school.
After Nishinomiya left, he was also isolated by the people around him because of bullying Nishinomiya, and he realized the evil he had done in the first place. We will meet again after many years, hoping to atone for our sins. In the process of reconnecting, Nishinomiya Glass found that she liked Ishida Masaya...
Isn't this kind of "falling in love with the person who hurt me the most" the cruel youth story of Guo Xiaosi and Rao Xueman? Instead of facing up to the cruelty of "school bullying", it becomes a youthful redemption for young girls with the help of Jingani-style melancholy.
I'm sorry, but I can only see the illusion of my own redemption, I can't be moved, and even a little uncomfortable.
In fact, from the very beginning, what the director of "Shape of Sound" wanted to express was not the cruelty of "school bullying", but the connection between people.
"Yamada re-emphasized here that the theme of this work is not "bullying", and the bullying party cannot simply be regarded as "evil". What the movie wants to tell is that each character has to face it. The situation and troubles are right, but they did not choose to escape, but faced the problem and found a solution. Yamada Naoko expressed his gratitude to the audience who understood this. Perhaps it is in this land of Japan that everyone can accept such a style."
I can't find the source of this Anitama text, but I saw a similar comment from the director on the Japanese Ministry of Education, Culture, Sports, Science and Technology's website:
Yamada supervision "じめ や や 描 描 て て て 作 作 で は に こ 作 作 作 に れ れ て み み べ べ れ れ れ て み み み み べ べ べ み み み み べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ い べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ べ い べ い べ べ い い べ べ べ べ べ い い べ い い い べ べ い べ い い い べ い い い べ べ べ べ い い い い い い い い べ い い い い い い い い い い い い い い いも 対 対 対 て 手 ば ば ば て み よ よ,, だけれども.....................................................
Focus: Although there are descriptions of bullying and physical disabilities in the work, but after contacting the work, I know that it is not all, and there are more fundamental problems...I think the heart of wanting to establish a connection is what the work wants to express.
The sinful color of "bullying" is naturally downplayed, so when I recall the bullying in elementary school, the colors are all soft, and a large area of flowers and a close-up of the sunset are added between the scenes. .
So next is the time to "rebuild friendship": Ishida will also find Nishinomiya to apologize and want to be friends, Nishinomiya also agreed. Sahara, Ueno, Igawa, these people who have bullied or watched bullying appear one by one...
As for the bloody development of Nizi's confession to Nishinomiya, everyone must know it. I can't guess the psychological change of this character, how she can easily fall in love with the boy who bullied her after being isolated and bullied for many years.
In fact, the most uncomfortable and disgusting thing for me in the whole drama is that everyone, including the heroine, regards the inconvenience caused by "hearing impairment" as a kind of "evil".
From the very beginning, Glass couldn't distinguish the pitch, which led to the failure of the class chorus. Everyone thought that her existence disturbed the original order of the class; then Ishida's small gang bullied Glass, and Ishida was isolated after Glass transferred, and Ueno believed that the split of their friendship was Glass. It's my fault, I have never reflected on how cruel what I have done.
Even Glass thought it was her fault, she destroyed the relationship she had finally re-established, and committed suicide.
When I saw this, there were 10,000 grass-mud horses galloping past in my heart. And such Naohua Ueno, the director likes and even praises it.
"そ そ, かっこ い い い い い い あ て て く 目 っ っ て て て く く く く て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て て てに値する人だなと思っています."
Yamada: I think Ueno is good. She doesn't look down on Nitro at all. As an equal existence, I sincerely face the glass. I think is a very attractive and respectable person.
But what does Ueno do the most? Is it to throw away Nishinomiya's hearing aids and shout to let her say what she wants to say, or to slap the glass in the face of dissatisfaction in the Ferris wheel?
The perpetrator has no remorse, and her actions are still regarded by the director as a manifestation of "equal treatment"?
To this, all I can say is: there is shit in the brain.
To be honest, I am so disappointed in KyoAni. Not all stories can be made into small and fresh campus love stories. The blood and tears behind this kind of campus bullying, I don't know how many filters need to be added to beautify it.
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