According to "Rescue the Cat", this type of "change ritual", in the end, the protagonist remains the same, which can be regarded as breaking the routine. "The Seaside" is like that. Will this model become a trend in the future? Is it really okay to let people see no hope? Once is fresh, twice, three times...it's boring. Movies are the art of making dreams, so let's give some hope to the audience.
"500 Miles" is really good. Suddenly I remembered the old song George Clooney listened to in "Gravity". I still haven't figured out the name. If you know it, please let me know!
View more about Inside Llewyn Davis reviews