Unlike many people, the first Ang Lee movie I watched was "Brokeback Mountain", just like the life I experienced, it was always a beat slower than others.
Watching Ang Lee's films, I will always look around and look at myself, and I will feel that a certain scene, a certain person, a certain period of experience, a certain play is the part of life that grows,
but in reality, it is a reverse order, like a dream. fantasy.
(1) Your diet, men and women, is my fireworks world.
I always feel that everyone has the same thing in their hearts. Under the influence of the magnetic field, they will be filled with repeated awe, and it doesn’t matter how indifferent to other things around them, but it is a natural willingness to bow down and be a servant. .
This feeling is what fashion magazines often write about: a willingness to waste time on beautiful things.
The good things in Mr. Zhu's heart in "Food Men and Women" are probably all kinds of ingredients, and his ignorant concern for them is like a concern for his relatives, old friends, and old residences.
Anyone who knows a little bit about cooking knows that the close-ups of food cooking in the movies are full of emotions: even if they are broken or even impossible to piece together, the resulting inconsistencies are embedded with noncommittal restraint.
"There are 100 expressions of love", in "Diet Men and Women", Mr. Zhu's family gave everyone the most incisive interpretation.
(2) An inadvertent causal origin leads to another causal cessation that does not end.
Jiazhen relies on her faith to fight against the incomprehensible gaze of the world. This character has all my ideals. There will be indescribable grief, but also uncontrollable joy.
I always feel that this character has a fire in his heart and a big tank of water at the same time. Her contradictions are stalemate, her voice is hoarse, and there is a shallow resistance and concern about imperfection.
So much so that she has never and will not take the initiative to express anything, living in an imaginary, living in herself, living in a space that she thinks is safe and harmless, but she always forgets that even the incomprehensible imaginary in her mind is another kind of A silent presence.
There is also Jiaqian, who is attached to the free and easy. People who clearly value the feelings that are valued are disdain to admit it, as if they have lost themselves after admitting it. She does not have the self-pity and self-pity in the bones of the eldest sister, nor the innocence in the bones of the younger sister. She has the stubbornness of the old man.
The ending is not beyond imagination at all. A person who has been widowed for 14 years will definitely not succumb to the trivial and messy life, and will definitely not accept the human tragedy of unclean ears in his lifetime.
(3) Any loss is planned and brewed for the sake of gain.
Every day Jiazhen casually opens the love letter on her desk, she is full of expectations and even specifies a clear object for her fantasy.
After get off work, Jia Ning has an unbridled relationship with a schoolboy who wants to torture his friends.
The strength of Jiaqian's work is only to prove to his father his stubborn patriarchy.
Then, Jiazhen lost her fantasy lover and the love letter that really existed; Jia Ning couldn't hide the love seed that was sown in her body; Jiaqian was more like a child with soap bubbles, unable to find her way or destination...
Papa Zhu used an understatement, "My sense of taste is dead," with a heavy pun.
If you lose everything you should lose, you will get everything you want, I think so.
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