There is only incomprehension in this world, no weirdo. Jean's life is full of lies, and it could even be said that half of her life is woven with lies. But after the whole play is finished, it is not difficult to find that behind these bizarre lies is a fragile soul begging for life, begging for its balance and integrity. First, Jean's life is divided into two parts, half surface and half hidden. Regarding appearance, Jean is a successful career psychologist, has a charming lawyer husband, lives in a big house, and has a carefree life. But the undercurrent of life churned out Jean's uncontrollable anxiety and panic. Although her husband Michael's young secretary Alexis has never met, she often makes Jean jealous. She seems to be flirting with her husband to make her petty, but in fact it exposes the heroine's insecurity and restless mental state; her daughter Dolly has ADHD gender recognition disorder The patient, the couple insisted not to give their nine-year-old daughter medication, Jean went to her daughter's school to settle the principal for her, calmed the mother group, held an annoying party, and kept guiding her daughter. The conflict between getting on the right track and encouraging her to be brave enough to be herself is a heartbreaker. As a mother, it is heartbreaking. , recycling all the dirty and trash secrets, squeezing the heart and pouring out the good medicine, this is why every psychologist needs to see a psychiatrist. When I was very young, my friend's father committed suicide, and he was a psychologist without a psychologist. So this is a dangerous business, and you need to be cautious when entering the job. Regarding concealment, Jean approached the patient Claire's daughter Rebecca and Sam's girlfriend Sidney under the false name of Diane Hart, and intervened in Allison's drug treatment. It is worth noting that in these three relationships, whether as Rebecca's friend or Sidney's lover, Jean used an unreal identity to disguise her, but she helped Allison and Jean without any reservations. As for why, as long as this part of the relationship corresponds to the role in real life, you can dig out Jean's true character. The mother-daughter love-hate relationship between Claire and Rebecca is a perfect counterpoint to the discordant relationship between Jean and her mother in reality. The coexistence of contradictions and opposites between the imprisoned and suffocated love and the growth longing for transformation has become the most sad pain for parents and children. Out of love, but out of hatred. Jean can't get close to her mother, but as a mother, she also knows how difficult and hard it is. So, she tried to correct Rebecca's resentment and complaints about Claire without any trace. Claire is stubborn and paranoid and worried. Jean feels helpless and ineffective in treatment, so out of understanding she persuades Rebecca to try to accept her mother and respond to her mother's love. Sam and Sidney's inseparable love relationship reflects the entanglement of Jean and her husband Michael in love. Jean and Sidney's lily love is just a long-lasting masturbation, no eroticism, no betrayal. In Jean's eyes, Sidney is like a part of his body, a small piece of bravery, a small piece of indulgence, a small piece of freedom. Piece together a face that you will never be, fascinated, fascinated, and immersed in this face. Jean has said that she can't imagine life without Michael and her daughter, and she has repeatedly stressed that she cannot lose them in her life. Jean didn't have the guts to play with fire with the family. Moreover, in the face of questioning from her friend Larin, Jean tried her best not to cheat twice. Deep in her heart, Sidney's fatal attraction comes from the kind of resistance, unruly, and control in love, which she can't do, or give up not fall. Those fiery lusts were the boundless liberty that Jean longed for, not pure physical pleasure. The reason is that every time she thinks of Sidney, Jean always masturbate. Sidney is more of a spiritual orgasm to Jean than a physical lust. Because it's masturbation and lust, so subconsciously, Jean doesn't see her relationship with Sidney as derailed, so she denies to her friend that the recent disorder is because of her emotional betrayal. Sam's treatment was beginning to bear fruit, and Jean managed to convince Sam to pull out his love for Sidney and move it elsewhere. But what she didn't expect was that Sam reunited with his ex-girlfriend without any creativity, which made her surprised and even angry, and her anxiety was no less than that of Sid. ney. In fact, in the process of treating Sam, Jean has been enjoying the pleasure of being loved. The satisfaction of being king in love and being a servant under the skirt; the excitement of mistreating captives; the triumph and pride that is unique to love, all made Jean unable to stop. So she picks up the pieces of her body, finds the lost Sidney, seduces her to manipulate her and even replaces her, in order to enjoy the fertilization of love. Sam's anomaly reminds Jean of Michael's ex-girlfriend Katherine, and her heartbreaking past. In the conversation between Michael and Alexis, Jean's rebelliousness was mentioned, and Jean also confessed to Larin that the previous breakup was unbearable for her and would not repeat the same mistakes. This also confirms Jean's definition of his relationship with Sidney, not cheating, not erotic. The sympathy and concern for Allison reflects Jean's love for his daughter Dolly. Time and time again, she tolerated Allison's addiction to drugs, endured the rudeness of her terrible drug addict boyfriend, and forgave her for her lies, unpunctuality, and willfulness. Out of responsibility, she accompanies Allison to take part in drug treatment; out of sympathy, she abandons her principle to visit patients in a dirty apartment; out of motherly love, she lends her private apartment to the untrustworthy Allison. The love for Allison goes far beyond work and beyond other patient relationships. Claire once wanted to go beyond the doctor-patient relationship to be a friend, but Jean refused unquestionably. It can be seen that Jean is the kind of character with a clear distinction between public and private. Worried about Allison with the kind of protection he had for his younger daughter. Michelle's joking remarks at Dolly's birthday party were met with a stormy response from Jean, who looked silly with all the guests present. So Jean protects her daughter under her wing, and her daughter is her most cherished treasure. She transplanted this love into her relationship with Allison. Jean is devastated by the disappearance of Allison. Suspecting that the gray sedan outside the apartment was up to no good, she muttered "What if Dolly?" on the verge of shattering. This also shows that Allison is Dolly's image. Regarding the conversation between the friend who finally got out of prison and Jean, it can be seen that Jean is a habitual offender, an old driver. At the end of the film, Sidney's eyes and smiles are a kind of sublimation, a kind of detached victory. There are no weirdos in this world, there are only prejudices and misunderstandings and all kinds of narrow-mindedness. The above text is pure nonsense, only for entertainment! Out of motherly love, she lends her private apartment to the untrustworthy Allison. The love for Allison goes far beyond work and beyond other patient relationships. Claire once wanted to go beyond the doctor-patient relationship to be a friend, but Jean refused unquestionably. It can be seen that Jean is the kind of character with a clear distinction between public and private. Worried about Allison with the kind of protection he had for his younger daughter. Michelle's joking remarks at Dolly's birthday party were met with a stormy response from Jean, who looked silly with all the guests present. So Jean protects her daughter under her wing, and her daughter is her most cherished treasure. She transplanted this love into her relationship with Allison. Jean is devastated by the disappearance of Allison. Suspecting that the gray sedan outside the apartment was up to no good, she muttered "What if Dolly?" on the verge of shattering. This also shows that Allison is Dolly's image. Regarding the conversation between the friend who finally got out of prison and Jean, it can be seen that Jean is a habitual offender, an old driver. At the end of the film, Sidney's eyes and smiles are a kind of sublimation, a kind of detached victory. There are no weirdos in this world, there are only prejudices and misunderstandings and all kinds of narrow-mindedness. The above text is pure nonsense, only for entertainment!
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