Although Zhou Xingchi's works have been repeatedly interpreted or over-interpreted, I think he is a very simple-minded person. Most of the overly grand meanings are attached by enthusiasts. It is not necessarily that he is so hesitant, but Peng Haoxiang often shows this. The ambition of the film, every shot is so elegant, and there is a blank space that needs to be explained and played. In general, Stephen Chow's films are not intellectual, and they don't consume a lot of brain cells when watching them. Moreover, with the improvement of realm, even the usual funny stereotypes are deliberately avoided. Zhou Xingchi is also seeking changes. Although many people say that he began to look at people with his feet on his feet, I think this is understandable. Sometimes the audience is much more conservative than the actors. It is a good thing to be a man with pursuit, and we might as well be optimistic about it.
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