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Animation is different from the actual shooting of movies or stage performances. When there is no scene scheduling and arranged images, the camera (lens) is people's point of view on the event, and there is actually a certain image attitude behind the lens. At the beginning of the film, there is a very symbolic scene where the mushroom cloud is slowly rising after the atomic bomb explodes, and old photos show the ruins of the city after the explosion. The choice of "photographic" to present the war scenes is the proof that the visual record of historical crimes by photography satisfies the "witness presence", and also makes such a scene "real" because of the shooting. At the beginning of the film, there is a section of the capital when describing the riots. How the police arrested and killed the members of the anti-government guerrillas is quite meaningful. The voyeur-like perspective flashes back to capture the face with the armed mask in the back. It is not just a photographic record of the "real", and it also satisfies people's voyeuristic desire for violence. what.
The story of "Little Red Riding Hood and the Big Bad Wolf" in "Grimm's Fairy Tales" is well-known, and there are countless versions of "Little Red Riding Hood" in fairy tales from all over the world. In the movie, the relationship between man and wolf is the clue of the whole movie, the central point of intention, Little Red Riding Hood is the visual symbol in the movie throughout, the first appearance "Little Red Riding Hood" is Achuan Qisheng, the visual symbol of the red long coat has always been used as a visual symbol in the movie. The intention of "Little Red Riding Hood" represents until the appearance of the heroine, but compared to the more neutral image of Achuan Qisheng who is also "Little Red Riding Hood", Amamiya Kei's long hair image deepens the female image, and the same shape deepens Little Red Riding Hood's image. The symbolic image also foreshadows their final identical fate. In the film, the images of the protagonists Fu and the wolf are repeatedly superimposed, and the camera language implies its animalistic "wolf" nature. The process of "Little Red Riding Hood" constantly "escape" under the "wolf"'s vision, in addition to presenting a unique experience to the audience. The relative relationship between hunters and prey, I don’t know if it can also be interpreted as the gaze of women from the perspective of powerful men. Maybe I just think too much.......mdzz
The public facility of the city's underground sewer first appeared in the city-state of ancient Rome, and the prototype of the modern urban sewer in the movie first originated in Paris, France. And in many films, the city's underground waterways become places where evil is hidden and darkness breeds. For example, Nolan directed "Batman: The Rise of the Dark Knight" against the huge villain organization living in Gotham City's underground waterways. And the clown wandering in the sewers of the town where the protagonists lived as children in the horror film "The Clown," based on the Stephen King novel. The psychological feeling brought to the audience by the sewers represents darkness, secrets and sins. Also in the film "Wolf", the intricate urban underground waterway is the main scene in the film, representing the dark side of society. The fierce battle between the capital police and the "partisan", the girl A Chuan who evaded the search of the special team and finally blew herself up and died, and the final battle between Fu and the Ministry of Public Security all happened here. In the film, the bloody suppression of the anti-government armed forces in the city, the power struggle between the Ministry of Public Security and the capital police, the desires and traps of people mixed with the ambiguous relationship between the enemy and the enemy all happened in the underground waterway, and all of this is related to Fu and Ah. In stark contrast to the appearance of a peaceful and prosperous society outside the window of Kyu's tram ride. Does the underground water channel also represent the "dark forest" in fairy tales? The dialogue between Little Red Riding Hood and the Big Bad Wolf in the German version of "Little Red Riding Hood" that Agui gave to V. Aguirre: Where are we going? Fu: Go to the dark forest, and when the truth finally came out, Amamiya Kei did not choose to escape but returned to the underground waterway with Fu. She hoped that Fu would still have a trace of "humanity". The interesting thing is that at the end of the movie, when Agui followed Fu back to the sewers, when he passed the place of self-destruction that once impacted his heart, Fu did not hesitate or stop for a moment, and went straight forward to complete his final task, I think. The sewer also implies that the "Dark Forest" is the final fate of the two of them...
It is also an adaptation of the story of Little Red Riding Hood and the Big Bad Wolf. The story of "Grandma Wolf" in China is about traditional Chinese culture. The karma that is emphasized in. Charles Perrault's "Little Red Riding Hood" warns young girls to be wary of rhetorical men around them. The Brothers Grimm finally changed it into a fairy tale that conformed to the social family concept at the time, ending with the wolf being punished and everyone happy. In this film, the "wolf" becomes the protagonist of the fairy tale, but the ambiguous relationship between the male and female protagonists is "wolf" and who is "little red riding hood", and the image of the weak in the "fairy tale" that is a metaphor for human society is often caused by written by the strong.

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