Individuals have to get involved in political bloodshed

Daniela 2022-03-26 09:01:08

Ken Roach, director of The Wind and the Wheat, tells a grim story. In addition to the specific background of the Irish Independence Movement and the subsequent Irish Civil War, what is more touching is how individuals can be coerced by political movements, and political movements. Expanded logic.

To say that where there is oppression, there is resistance, is an overly revolutionary discourse, but it is indeed convincing. As the protagonist, the medical student could have detached himself from politics, but witnessing the brutality of the soldiers of the British colonists aroused his will to pursue national independence. Witnessing the life and death of the poor in Ireland led him to the goals of left-wing socialism. This caused him to part ways with his brother.

For individuals to achieve their goals of resistance, they must act in unison with their peers, that is, to participate in an organization, and once they join an organization, they must act in an organized manner. In an organization, the exercise of individual free will often means the disintegration of the organization. For an organization to function, it must maintain discipline. The protagonist's execution of the British soldier and the renegade whistleblower's 17-year-old neighbor, and the final execution of the protagonist's brother by the protagonist's brother, all proceed with the same organizational logic. When the two groups are involved in a state of war, the mutual suppression between them will become more and more cruel and bloody, forming a vicious circle, which is also independent of personal will.

The protagonist's pursuit of socialism, as a direct response to the reality of poverty, has its side of justice, but history has proven that the deprivation of the rich does not lead to a happy society, but to general poverty and the loss of human dignity and freedom. If the protagonist's ideal comes true, how will he face the cruel reality? Or will he soon be kicked out of the political fight?

The vicissitudes of China in the 20th century are far better than that of Ireland, a small island country. When reviewing Chinese history, can Kenroach's grim vision give us some inspiration?

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Extended Reading
  • Joannie 2022-03-21 09:02:21

    Things are different from people, and the vegetation is deep in the hometown. In the same prison, he stepped forward, but here too the brothers are against the wall. A war that I didn't want to be involved in, but in the end no one can turn back. After being released by the soldiers, a group of people slowly returned home in a carriage. The wind passed through the wilderness, revealing a different kind of desolation. At that time, there were still ideals, blood and passion, but in the end, they fell into the abyss of tragedy because of the rationality of justice. Interrogate war and human nature, and no one can redeem. Desolate eyes, endless sadness.

  • Vern 2022-03-25 09:01:11

    It is really a history of blood and tears of a nation, and the most tragic thing is that it has continued to the present. Stronger than many Irish films that promote national independence, Ken Loach does not try to exaggerate sadness, nor does he make any definite political propositions, nor does he portray Wallace-style heroes, but maximizes group portraits. Observe their dilemmas at the micro and macro levels: how people are torn apart by political ideas, and raise a series of huge political problems: in the face of the mighty British Empire, is national independence idealistic or realistic? Can personal and national interests be reconciled? Who should control the violent machine? While he may have an answer in his heart, this may be the one he struggled the most. The opening game is meaningful.

The Wind that Shakes the Barley quotes

  • Damien: [loading revolver] I studied anatomy for five years, Dan. And now i'm going to shoot this man in the head. I've known Chris Reilly since he was a child. I hope this Ireland we're fighting for is worth it.

  • Chris: Promise me, Damien. Promise me you won't bury me next to him?

    [points to Sir John]

    Damien: The chapel. Do you remember, on the way up? Do you remember?

    Chris: Yeah.

    Damien: In there.

    Chris: Tell Teddy I'm sorry. I'm scared, Damien.

    Damien: [sighs] Have you said your prayers?

    Chris: Yeah.

    Damien: God protect you.