This kind of big movie is bad, usually because the plot is bad, but the bad plot does not prevent us from watching the big scenes of handsome guys and beauties and the protagonist pretending to be forceful.
So like Fast and Furious, you don't need IQ, and you stimulate your senses with constant explosions and rhythm changes.
The following rhetoric is more intense, but this one is really rare to the point of infuriating rot. Director, what are you thinking? Perfunctory for 150 minutes?
I walked all the way in the rain and wasted two and a half hours sitting there, my pants and clothes wet, waiting for Michael Bay to give me a thrilling visual impact.
Just the fucking thing?
On the whole, the protagonist is miserable and expresses his feelings in life. Immediately, another scene is abused and then he expresses his feelings in life. Occasionally, the lower limit of the show. Suddenly the big villain who has never shown his face came out and beat the protagonist and the small villain into dogs (at this time two-thirds of the movie has passed), the protagonist planned to fight the big boss, and then settled the battle in the last 20 minutes, including the grand scene of 10 minutes. The description, basically one or two shots kill a villain, and finally there are 3 minutes for everyone to pretend under the sunset.
How should I put it, after watching the movie for two hours, I don’t know what to say, the relationship between the characters is unclear, and the relationship between the various forces is also unclear. One second, you are playing happily, and the next second, you will turn the gun (speaking one What is the purpose of the pile of people playing Transformers with m4, it is better to have a rpg for everyone).
Tell you in half an hour that the decency won
It's like watching a 200-level daily chapter in an anime. The main line is not pushed at all, the relationship between the characters has not changed, and the protagonist has not grown at all.
In episode 201, Kakarot was suddenly airborne and killed a turtle-style qigong, the boss who abused the protagonist for 200 episodes. No, it should be the 201 episode of Kakarot's sudden landing, half of the mouth cannon, and half of the vitality bullet. In episode 202, the vitality bomb was in the air for half an episode, and various big scenes were switched to describe how powerful the vitality bomb looked, and then killed the boss in seconds. There is a half-pack left, revealing that there is the next one.
In contrast, the third game of the extremely hungry game is also dull, but the content is really rich. Without this extremely delicate foreshadowing, it would be difficult for Katniss to be so three-dimensional and rich, and she could not explain her last arrow to kill the female boss. .
But what was the role of these two hours and what did they say? If there is someone in the list who understands film or film major, please explain to me...
The plot actually didn't have much expectations, just popcorn.
But ah, even if it is brainless like Fast and Furious 7, the visual stimulation brought by his editing and storyboards can still support me to watch it. But the editing and storytelling were a mess, and the people I watched with me were too dizzy to watch, and in the end there were only a few large-scale special effects left. Might as well watch cg?
Visual effects to be honest, two stars at most. Comprehensive zero-point plot. One star...you say characters and acting? This movie kills everything (except Count Hannibal)
Too little knowledge, too much emotion, but the writing is too poor.
had to say, michael bay, i qnmb
(I also googled whether the movie was originally 3 or 3 and a half hours. Radio and TV thought it was too long and deleted it, but it wasn’t. Then I was curious about what happened to Michael Bay.)
View more about Transformers: The Last Knight reviews
