Should it be considered a horror movie, at least those out-of-the-ordinary shots don't really exist to scare the audience, it seems to be a little bit of bad fun. Everyone in the film hopes to do things that make them happy according to their own values: Xiahou wants to compete for martial arts rankings, Yan Chixia wants to hide from right and wrong, Ning Caichen wants to collect money, grandma wants to collect Yang Qi, and Jianghu people want to arrest Wanted criminals for bounty, even the magistrate played by Wang Jing, who can't open his eyes, is very sincere and always thinking about bribes, and can also mention that in Ning Caichen's room just follow The mummy that smelled of blood ran. To say that this movie is about love, it is a bit purely consequential (the two are running for their lives most of the time), in fact, it shows desire in more space, but in the end all the entanglements are broken, only between the two It's too late to distinguish between the obsession with careful thought. If you look carefully, you will find that the real dialogue between Ning Caichen and Xiaoqian is actually no more than 30 sentences. The spectacle pictures in "A Chinese Ghost Story", except for waving the sword and adding some later light invented in the era of "Tathagata's Palm", the rest are all real-life productions, huge tongues, flexible branches, hungry mummies, flying heads, restored version Make the picture brighter, and it will be obvious that there is a sense of roughness, but it still does not look shabby at all. At that time, the entire team would work hard to film, and they would try their best to cooperate, and those props were really tied and collided with the actors. Instead of the actors putting on various expressions and poses, basically everything is left to the CG in the later stage. In Ye Weixin's version of "A Chinese Ghost Story", Hui Yinghong must have kept showing the same expression of claws and claws to speak his lines, which caused the character to panic. Speaking of grandma, I re-watched Liu Zhaoming this time, and found that his role in the first part was much less than in his memory. Why did he leave such a deep impression on the audience? In addition to the weird dress and the voices of men and women, it should be a scene in Xiaoqian's bedroom. The space and atmosphere of the whole play are so densely arranged that it is almost breathless, and it also makes the eyes of grandma and Xiaoqing match with each other. Words become a great pressure, thus deepening the sense of presence. "The Hidden Man in the Room" was once Tsui Hark's favorite drama, and it also appeared repeatedly in a large number of works in Art City. At the end of the movie, the three of them were exhausted and fought back from the underworld, but they caught up with the light of the day, and the morning sunlight leaked into the hut through the cracks of the broken paper windows. Ning Caichen held the board with his forehead and blocked the sunlight with his body. While weeping, he urged Xiaoqian to return to the urn quickly. Xiaoqian looked up at him, but he didn't seem to be able to turn his head. Eternal farewell, actually came so quickly, even if you sing "Dawn Don't Come" a few more times, it will be useless. Not too different from the shemale
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