The taste of the last days exists in the luxury and erosion of luxury cars, and in the cross-flow of sewage in the poor streets;
Exist in the present world with infinite fear of the future and paranoid interpretation of the past;
The self-anaesthesia that exists at the lower end of the food chain and imagines the emptiness and loneliness of the upper layer;
Finance, health, sex, technology... In the huge machine of capital operation, it turns out that we are just parts that draw an arc from the origin back to back; the story of David Goldberg, from the beginning every The transition of the scene begins to break. He does not provide the climax of the leopard in the tube, nor does he intend to build a rigorous sci-fi feeling. The audience's perception collapses along with the protagonist's world. Let us feel that everything in the movie is so funny, ridiculous, and unreasonable, but forget the surprise and surprise of every Great Depression and financial turmoil in history.
The biggest difference from "Murder on Video" is that this is not a warning prophecy, we don't need to use reality to compare the conjecture that the media devoured mankind; Putting it in the mixer and running at high speed, the person who wants to climb the tower like an ant, the person who delusionally changes his label with violence, the person who thinks he can control everything... The countless times in the interpretation of the metropolis appear in different eras The eerie dazzling light, the moment of destruction in the silent countdown but never at the end of the fable, or this is the anxiety that everyone can't stop in every age.
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