Black and white movies can also be shot so beautifully

John 2022-03-28 09:01:08

1. I wish I hadn't loved you, or loved you more. What distinguishes modern love from classical love is that any bump in a crowded life or a random emptiness in a boring stroll may dissipate. There's love, but that's enough to make a fool of yourself. 2. However, love is just an introduction. The film is extremely rich in meaning, including reflections on colonialism and the possibility of exotic life; there is mourning for the loss of tradition (through Alain Delon's temperament and the legacy of his ancestors full of art. The incompatibility of luxury mansions); there are poignant satires of the way the bourgeoisie seeks their fortune (a minute’s silence on the stock exchange is a particularly explicit one); and there seems to even be a cryptic reference to the nuclear threat: the mushroom in the title sequence Water tower, huge and unusual street lights at the end of the film. 3. One of the best endings in film history: the abnormal cross-axis implies the doomed alienation of the hero and heroine. Then, the camera lost the hero and heroine. Seven and a half empty mirrors, everything that is silent as a mystery, the world is speaking in our unknown language. Antonioni said, I love objects as much as I love women.

Georgiana 2022-03-24 09:03:02

The beginning is like a black-and-white silent film, silence, short shots, character movement, broken space, a sense of unease at the touch of a button (such as the explosive force at the end). There are documentary and experimental traces at the end. Explore the relationship between people and modern space, see and feel the world through Monica Vitti's sensitive perspective, like a child who is alienated from observation. Occasionally playful, elusive, unpredictable. Death and Eros. Repeating scenes: monk, galloping carriage, stroller