The short comment with the most support even mentioned the political relationship between the United States and South Korea. . . The long comments in the first line shouted "shallow innocence" and took the opportunity to bring in private goods to correct the name of the chick movie. . .
The chick movie can capture the girl's love mentality and fantasies with brain hole plot metaphors, and I'm convinced, as for the one with the US-Korea political relationship. . . Can I beg you to go back and chew garlic and kidneys?
I dare not say that the screenwriter/director is deliberately trying to express these chaotic and vague thoughts and desires in the depths of women's hearts. Moreover, it seems that many creators now like to add such "subconscious" elements to their works, intentionally or unintentionally. I am not very serious about these condiments, and even seem to have a game mentality. You can say it is, it can be, and you can say it is not it.
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(Long comments are mainly for fear of forgetting after reading them, and remembering some scattered thoughts. For reference and notes, copy the short comments as follows:)
The love fantasy of the three-year-old girl is not Mary Su, but self-improvement, entanglement of inner demons, and jealous men. Going crazy for her can move her, but don't be a control freak—it doesn't matter age. Like the short film "TearsOfSteel", the whole world needs to see the emotions. Every girl has a princess dream and is eager to be noticed; perhaps because of fear of being too fake, people sometimes don’t want to be ashamed in their daydreams, but instead add elements of sadness – so I always thought the editor was a woman
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