Black all the way to the end. At first, I thought that Ale was a good person, but Director Du hid Ale's "blackness" so deeply that people didn't see it until the second half. And the black of the big D is very obvious, domineering in everything and arrogant. At the same time, the light and other details of Director Du's film are also handled superbly, and the film can even be analyzed by light. At the beginning of the last scene where Ale and Big D kill each other, the framing in natural light is amazing, from the sunlight outside to the darkness inside to the light sculpture on Big D. Very good very good. . .
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