Au Rong finally saved the tedious 70th anniversary of Cannes tonight. Movies like "Double Lover" have his own personal characteristics, bold erotic imagination, psychological suspense narrative, stylish, and high style, and only he can make them. The music was also very aggressive, and in the Debussy Hall in the media field, it was completely overwhelmed. A purely "good-looking" movie. Marion is really the number one goddess in the contemporary film industry, compared to those American actresses who are like chickens. Even just watching the art scenes in the film is pleasing to the eye, thanks to Ou Rong for arranging the heroine to work in the art gallery. Too many films at this film festival focus on social issues, which makes Ou Rong's style very prominent. It is just personal inner desires and fears, which have nothing to do with any social topic, and the style of filming is so Intensely catchy. There are a lot of mirrors in the scene, which combine well with the composition and can be seen to be carefully arranged. The heroine is also at her most beautiful age, leaving such a work with a director whose creativity is at its peak, which is really a beautiful thing in film history. In fact, when it comes to erotic desire and stylized visual embodiment, contemporary Korean Park Chan-wook is not bad. I don't know if I can go further in the future. In fact, Ou Rong is a long storyteller, and he doesn't like to involve public issues. He is not mainstream in the French literary and art circle, and he is not very popular in Cannes. However, this time the competition film is so weak, I will not express my gratitude to him. I can't say it anymore...
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