The photography is exquisite and delicate, and the color matching is very eye-catching. With the aid of cheerful music, the whole film presents a pleasant and beautiful tone. Mr. Hulot is an intruder in the established world. He brings joy to the audience but troubles the "adult" in the play. His bizarre behavior, poor expression and full of mistakes make him seem out of tune with his environment. , so at the end of the film, Mr. Hulot always leaves. Tati takes a loving look at the world in a seemingly "clumsy" figure, looking at everything with a childlike gaze and making innocuous banter. He used some exaggerated but very clever and creative passages in the film to make jokes about the group he had difficulty fitting into. For example, the chaos caused by the fountain in this film after it was broken by Hulot is no small disaster for the characters who always pay attention to manners. Another example is the embarrassing scene where Hulot's sister and brother-in-law are locked in the garage by the puppy, which is just right ironic. We laugh as if we share a secret with Mr. Hulot when people are in chaos, a comedy that does not rely on language, borders and cultural differences, or excessive expressions. It was his various embarrassment and small gestures behind the crowd that made us become friends with him from the very beginning. We easily took his point of view, and we just stuck our tongue out slyly like a child to the problems we created. Tati Yulo infuses a celebration of innocence and tolerance, poking fun at the banal dogma of the middle class and the strict order of modern society. And inside the lighthearted and playful comedy is the nostalgia for the way of life that is closely connected between people and the lament for the fleeting innocence of innocence.
View more about Mon Oncle reviews
