In Korea under Japanese imperialism, Hideko (Kim Min-hee), an aristocratic young lady who was adopted as an erotic illustrator and novelist by the erotic illustrator Kyo-ming (Zhao Zhenxiong) since childhood, is an enviable greenhouse flower to outsiders, but she doesn't know it. She was actually the head of the erotic reading session performed by her uncle Jiao Ming last month to replace her aunt who died by suicide. And the liar Fujiwara (played by Ha Jung-woo) pretending to be an earl invites Shu-hee (played by Kim Tae-ri), who grew up in the thief's house, as the lady's maid to cooperate with each other. Shuxi readily agreed to the earl's request for money, and the housekeeper Sasaki (played by Jin Haishu) took her into a deep name. With the subtle reactions brought about by eye contact and body contact, the two finally combine and break through layers of etiquette and prevent the married family from escaping to Shanghai on the passenger ship.
The film is divided into three parts, continuing the Rashomon-style narrative structure of the original film, and reconstructing the entire story through different character angles. Every paragraph is unexpected. The maid, Sookie, and the Duke Hideko have their own thoughts, and their fates are closely linked. At the same time, this is a detailed film. Hemp rope bells, earrings, octopus, gloves and other props all paved the way for the film. Of course, as a lace movie, large-scale nude pictures and explicit lines are indispensable. Don't be too intense to see two beauties!
I looked for it out of curiosity. I don't really like it
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