There is a shocking scene where the camera is facing the bulldozer and tearing down the house abruptly. This is the destruction of the only remaining "home", and it is an inhumane oppression of the weak, even if it is the last bit of tenderness. Nikolai seems to have done nothing wrong, but he has to face the brokenness that fate has condemned to him. When faced with the fate of powerlessness, the habitual paralysis is blamed on fate. Can I trust God? How can I trust God? I believe him what can he bring me?
For the way of life of the fighting nation shown in the film, we can only maintain a respectful attitude. Vodka is a necessities of life, and the whole is in a state of intoxication and turbidity, as if it is the only outlet for life.
The heroine is not the core, but she represents despair. After getting along with the lawyer privately, he seemed to show the only smile in the whole film, but still burst into tears. Because lawyers can't give her a future.
This is the first Sarkinsev film I've seen. It just happened that the new film "No Love to Tell" was screened in Cannes in the past two days, and it seems that the reputation is still good.
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