The IQ of only 6-year-old Long Jiu (played by Ryu Seung-ryong) is the No. 7 prison with the most unjustly imprisoned criminals, and the affection of Yong Jiu and his daughter, who super dotes on his 7-year-old daughter Ye Seung (childhood: Ge So-won, adult: Park Shin-hye), is the same. For the felon in the room, everyone joined forces to help the youngest daughter enter the prison. Although his father Long Jiu's IQ stayed at the age of 6, seeing his daughter's happy smile, like other normal fathers, makes people feel a strong fatherly love. Once, he saw a child on the road. The child was carrying his daughter's favorite bag. She told Longjiu that it was also available elsewhere, so Li Longjiu followed her. Who knew that the child died in an accident because the road was icy and slippery. Li Longjiu wanted to save the child and performed rescue measures such as chest compressions, but it was because of this action that he was mistaken for a criminal and arrested. Although there are many doubts about the case, because the father of the deceased child was the police chief, the anger of losing the child made him threaten Li Longji to confess the crime, otherwise Yisheng would suffer the same pain. In order to protect his daughter Yisheng, Long Jiu chose to fight against an unwarranted crime, and was finally executed.
The film uses the character relationships of "I Am Sam", but the plot is more dramatic. Double tear-jerking protection for unjust cases and family affection. The warmth in prison is more touching because people prefer stories of prodigal sons turning back and wicked people doing good deeds rather than good people doing good deeds. Although how we complain about the routine of Korean tearjerker, it is really effective and really touching. The height and maturity of Korean film industrialization, in addition to the standardized industrial process, there is also a rather Korean-style criminal subject. The film is not sensational, and the director seems to be very restrained in this regard, just holding back for the final emotional outburst, American-style disabled inspiration meets Korean-style cruel legal crime, no matter how perfect it is, it is a pity that it is still a trick card after all. This is the worst design in the history of movie posters. The first impression this movie looks like is definitely a sleazy farce, and you can't help but go back and forth to find out what other new movies are there, but poor, it's just this, so I have to check it out. Then, you'll laugh, start crying unsatisfactorily, and even gasp for breath, as if you were about to suffocate to death.
View more about Miracle in Cell No. 7 reviews
