The old protagonist's eyes are slightly fierce, not as good as Einstein's own kind,
young Einstein's unpleasant accent, speechless, and listening to him speak is simply tormented.
Einstein is a bit romantic, but do American dramas have to deliberately render some sensual scenes? Children want to see and understand Einstein, right?
In order to overly highlight the dramatic plot conflict, do you hesitate to tamper with the facts? In my impression, Einstein really wanted to enter the Federal Patent Office, but why did it appear that he did not want to go in the play. As a whole, it reinforces the contradictions and conflicts too much, and does not pay enough attention and experience to the development of Einstein's thoughts, beliefs and feelings.
I feel that the screenwriter/director's scientific literacy and humanistic feelings are not enough. Although it is based on the work of Walter Issacson, it has lost many of the luminous things of the original work, making a beautiful jade a bit tacky.
Keep watching. . .
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