This film once again proves that the quality of a movie is not necessarily related to the genre. This is a mother-daughter relationship, a play of female psychology. The story tells that Hu is a young literary woman. When she was young, she met a married man on the train. Later, when Su An's original wife died, Hu married him, lived a happy life, and gave birth to a daughter. When their daughter Antija was 9 years old, Hu learned from the maid that her husband Su An had been having an affair with their mutual friend, female artist Ava. Hu and Su An were angry, and Su An went out to fish to catch a storm and died unfortunately. At that time, Antija was attending summer camp, and Hu found Antija and told her the news. Antija was very sad, but finally cheered up and went to the old house to deal with the real estate and help her mother with the funeral. On the contrary, Julieta became more and more dependent on her daughter. In a blink of an eye, Antija was 18 years old, and Julieta got out of the trauma of that year. Antija went to participate in a spiritual activity, and she shot you and disappeared. Julieta searched everywhere to no avail, but every year on Antija's birthday, Hu would receive a greeting card from her daughter, with no address or signature, just to let her mother know that she was still alive. Hu waited for his daughter for three years. During the three years, Hu really learned to be independent, weaned from his daughter, or quit drugs that depended on his daughter. Hu has a new life and a new relationship. Just after everything calmed down, Hu met Antiya's 9-year-old friend. The friend told Hu that she had seen Antiya recently. She had a bad life, got married and had three children. Julieta's heart dropped again. Girlfriend Ava is ill, but she and Julieta have long since settled their suspicions. Same-sex friends have gone through a lot of things. After mutual understanding, their friendship has become more and more stable. Ava told Julieta that when 9-year-old Antiya went home to deal with the property, the maid told her about Ava’s adultery with Su An, and the scene of Su An going out in the heavy rain after Julieta and Su An were angry. Julieta was shocked. She couldn't imagine that a little girl could hide such pain for 9 years. In the end, Julieta got in touch with her daughter Antija, who herself experienced emotional failure in her marriage and finally realized how cruel she was to her mother. She tries to reconcile with her mother. Julieta is not a traditional woman who is strong as a mother. She is fragile, sensitive, and highly dependent on others. After her husband died, Julieta should have asked her daughter to rely on her, but the truth is completely reversed. Julieta's identity is a mother, and she is a fragile girl at heart. In this way, Julieta's image of a mother is not conventional. Daughter Antiya's settings are even more special. The little girl has an extraordinary ability to bear. She concealed her father's affair, parental discord, and father's death for nine years. In the process of her growth, she was relied on by her mother, and she was also reliant on it. others, so that When my partner couldn't stand it, he switched schools. Antija lacked support in her heart, so she chose spiritual practice, but she was helpless. The theory of spiritual practice was very extreme, which led Antija to embark on a path of self-seeking. On the surface, Hu is Antiya's mother, but when Hu was in the most pain, Antiya acted as Hu's mother. . Women who have children tend to think that their children are more important than their husbands. It is much more difficult to give up children than to give up their husbands. If a woman can give up her children cruelly, what else can’t be overcome? It is also an incident of "children running away from home", and Chinese directors may make it into abduction, waiting, looking for children, and being persistent for life. Western directors, on the other hand, are about letting go, and sometimes it is more difficult to give up than to hold on. It may be more painful to "accept" than to confront it.
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