In the film, it can be seen that women's self-consciousness is emerging, or maybe not. In an article I read before, it was mentioned about the flapper girl fashion in the 1920s, and Chanel was also an advocate of its culture. This kind of fashion culture that encourages women to wear men's shirts, take off their corsets, shorten their hair, smoke, drink, sexual freedom, and women's right to vote should be the first awakening of feminist consciousness. It can already be seen in this film that women already have relative formal freedom in dress, hairstyle, and daily life, but under the appearance of freedom, society is still restricting them, and they are restricting themselves. It seems that it still exists to please the patriarchal society. So some of them started asking for a really free world, they wanted to have their own opinions, their independence, to have a completely free soul. The article said, if you don't step on the line, how do you know how much freedom you have? Amanda said, You don not know who is protecting whom from what or for whom. For modern artists like Picasso, the 1950s didn't seem so welcoming, and everyone thought they were right. And the world seems to have a set of rules for judging right or wrong, but what is right? Why is this correct? Who sets the standard? There is no way to know these things, and you have no way of knowing who is maintaining, who is maintaining, and what is being guarded against. What people are upholding is not the law of self-protection, but the law of self-restraint. To be unconventional, to be out of place is to be irregular, so it is not so much wrong as it is to be different. On the other hand, should we label people on the margins of society who are different from universal values? Perhaps we should maintain a more humble and open perspective on others. At the same time, don't limit yourself to a framework. Nothing is born that way. No one can tell you what you should do. Life is a constant choice, and we all have infinite possibilities. If we look back we will be complacent at the footsteps we have moved, but look ahead, are we really still walking? For this film, we can see clearly, so what if it involves ourselves? The background of the story of this movie is a few years after the Pearl Harbor War. Many problems left by the war are reflected in people's lives through the details. The world is changing, and people are also changing. There is no eternal love, and there is no eternal correctness, let alone. timeless standard. I'm afraid the movie is going to tell more than that. Every character in it is very full, and he has his own story that he can't tell. This movie wants to tell so much that every character, every story, every question is just a shallow taste, but the implications for the audience are not necessarily profound. And what amazed me most about this film is the irony and metaphor in it. At the beginning of the film, Joan knocked on the hall of knowledge, but later she rejected Yale's admission. And Nancy said, I do not want to go. I am happy here. In the swimming class, the coach kept shouting to make the girls smile, but Betty asked her mother, she was smiling, but was she happy? Thinking of this, I think of the title of the film, and the era in which the Mona Lisa lived. No matter how noble the young lady is, she is also an appendage of the patriarchal society. How can Mona Lisa be happy? Perhaps the best answer is the colorful sunflowers that appear at the end of the movie. Within the bounds, we do our best to be different according to our heart's desire. This may also be the best option for most of us. The more backward the local thinking is, the more conservative the thinking, the traditional Chinese concept believes that reproduction is a sacred mission, while sexual intercourse is ugly and shameful; Heavy offspring, but ashamed of the pleasures of both sexes. The lack of childhood sex education has led to the proliferation of child sexual abuse incidents, and adults are silent about sex education, thus forming a vicious circle. Today, there are still many women with so-called advanced degrees who subconsciously believe that their studies and careers end in marriage. Of course, this is not to discriminate against housewives. A full-time wife is a life choice, which I respect (but acquiring knowledge is a lifelong pursuit). But we must know that in addition to the full-time wife, we have other options, and you can choose the one you most yearn for. Equal rights for men and women (I think, equal rights for men and women means that they have their own division of labor, and the cost of reproduction is shared by the society) cannot wait, but it is not too worrying. The United States now advocates free sex, equal rights between men and women (although not completely equal), and there is still ignorance. era. So, this may be a necessary process. But we shouldn't stay out of it with peace of mind. Just like the "radical guards" in the movie, there should be people who are struggling to move forward in our era. So who are these people? As emma said If not now, when? If not us, when? Oh yes. To put it aside, in the United States in the 1950s, every frame was really a painting. _____ A feminist who is still exploring. Gooyu emotions are interconnected, anger and sadness are always connected. when? Oh, right. To put it aside, in the United States in the 1950s, every frame was really a painting. _____ A feminist who is still exploring. Gooyu emotions are interconnected, anger and sadness are always connected. when? Oh, right. To put it aside, in the United States in the 1950s, every frame was really a painting. _____ A feminist who is still exploring. Gooyu emotions are interconnected, anger and sadness are always connected.
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