Kristen amazes me!

Shyanne 2022-03-26 09:01:10

Although I have always liked K, but I have to say that there are not many works of Xiao K that can be admired. I always feel that her roles in many films have bound her, and I have not been able to interpret it boldly, but in this film K Every move surprised me. Assayas really discovered the beauty of K. Lost, confused, contradictory, waiting, every emotion was perfectly interpreted by K. I like the plot setting of sending and receiving text messages. It is as if the audience is chatting with each other on their own mobile phones. After each message is sent, the anxiety, anxiety and urgency can be deeply felt. The piece of k wearing sunglasses is really moving! The kind of beauty that K's body exudes needs to be felt with the heart.
My favorite clip is when k finally did the forbidden thing under the instigation of the text message, the part where I tried on the hostess' clothes, buttoned up the bra, and put on high heels, whether it was the black dress or the sequined dress, it was very suitable for k Now, only k can wear that kind of taste. Assayas really understands the beauty of k!
This is really a tailor-made film for kristen!

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Extended Reading
  • Neil 2022-03-28 09:01:08

    3.5, The fragile and restless life and loneliness of the individual are captured by the political economy of symbols, as well as the fashion symbol of "forbidden", and consumption = death. Assayas, a film critic, tries to give a clear, quasi-genre definition of "ghost image" in "Personal Buyer", and completes a "Darkroom Secret" companion, or a typical The Japanese-style ghost movie, in the second half of the film, the hotel corridor elevator, electronic doors and dialogue about ghosts lead the film to the Japanese style. From the text, techno-spiritualism is quite Kurosawa. Perhaps the ghost is not in the dark and gothic room, but the electronic sound of the city and the intermediary, the face space opened up in Morocco. But in the final analysis, "Private" is still an American movie. Stewart's American (Hollywood-style) English and the excessive handling of sound have cleared all the ghosts in the space at one stroke, and the over-substantiated ghosts can only be "invisible". The pua story of "people", which takes "seeing a ghost" as an event, lacks the "daily life of the presence of ghosts" in Japanese movies.

  • Maudie 2022-03-22 09:02:27

    It's another new film with polarized reviews. Assayas always has the urge to make genre films into authored literary films or the other way around, while Stewart's neurotic temperament matches the heroine's situation, not to mention the scale of being half-naked on the front. In the play, I used my mobile phone to reply to the message very well, and I was too frightened to watch the final overwhelm (Yun) and the terrifying supernatural event at midnight. Taipei Golden Horse Film Festival.

Personal Shopper quotes

  • Maureen Cartwright: [talking about her deceased brother] So we made this oath... Whoever died first would send the other a sign.

    Ingo: A sign? From- from the afterlife?

    Maureen Cartwright: You could call it that; you could call it a million things.

    Ingo: But... how do you know if it's a sign?

    Maureen Cartwright: I'm a medium. He was- he was a medium. I'll just know it.

    Ingo: Have you... communicated with spirits before?

    Maureen Cartwright: Um. Lewis thought they were... spirits. I'm- I'm less sure. But yes. Uh, somewhat.

    [gets off the couch to smoke]

    Maureen Cartwright: I mean there are invisible... presences... around us. Always. I mean whether or not they're the souls of the dead, I don't know, but... You know when you're a medium you just are attuned to some sort of... vibe.

    Ingo: What do you mean by- by vibe?

    Maureen Cartwright: It's an intuition thing; it's a feeling. You... You see this door... That's only like slightly, ajar.

    Ingo: Well... How's within that, that the soul... continues to exist... after death?

    Maureen Cartwright: I don't even know if I believe in that. But... Lewis did. And I- I have to give his... spirit -whatever you wanna call it- a chance to prove him right.

  • [last lines]

    Maureen Cartwright: Lewis, is it you?

    [pauses]

    Maureen Cartwright: Or is it just me?