Saw the movie at the Ritz Five in Philadelphia by a miraculous chance. Anne's films, whether you like them or not, are full of dense lines and a high degree of completion, and this film is no exception. Of course, the appearance of the big cousin is still a bit of a surprise, I didn't know he was there before. When I watched a quarter of the time, I thought it was a small and fresh love movie, and I wondered why this is good in a literary cinema. As a result, when I watched the "villain" appeared, it suddenly became violent. In a general sense, the person who gives you all kinds of considerate care and help (take you to the bar, send TV, sand and furniture to work), who should be happy with you forever, suddenly becomes abnormal. Do you think again, maybe because you fell in love with his friend, so he was crazy, but the flashback when he was a child appeared, he is not the good next door brother who helped you get the project back, but ruined your homework. . Coming here is simply terrifying, reflecting the reality that there is a person who loves you or doesn't love you, completely wants to control you, prevents you from contacting others, soars far away, destroys a building when he leaves, and terrifies children. .
So this film is a bit between a literary film and a commercial film. If there are no two big monsters, it is a discussion about where life comes from. With the refraction of the monsters, adding some visual effects and fun, it still reflects the monsters in our hearts, alcoholism, pleasure, cowardice, all kinds of accumulation, amazing power.
Can the evil that was thrown into the sky really disappear?
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