As a prominent citizen of Gaomi, Mo Yan encountered the same problems as Daniel in this film. Wealth and honor do not return to their hometown, like a night walk in brocade. This has been a social law that has been operating for thousands of years. Anyone who uses words to penetrate the truth of the universe may not be able to escape the call of their hometown.
However, returning home has never been a storyline that he can design, otherwise how could Daniel produce a realistic work called "Outstanding Citizen" at the end of the film. From the moment of winning the Nobel Prize, the author of the story is no longer Daniel.
The turbulent public opinion and the touch of porcelain-style friendship filled every corner of the town. Any rotten and fresh things and Daniel's touch are no different from Xie Gong's sandals and climbing the Qingyun Ladder. One person has the Tao, and when he goes to heaven, he will also hold a chicken farm.
Of course, aside from the personality issues of celebrities, how to formally reconcile with the hometown and the past should be the second proposition of the film. It has also been discussed countless times without any solid conclusions.
In "Paradise Cinema", Duoduo returned to the southern town, facing the ruins and the peach blossoms. Ben because he had no extravagant hope of returning to his hometown, but as a great director, he could spend it leisurely.
Daniel, who was a writer, was different. No amount of space in any literary work can cover up the word "nostalgia". Whether you are in the city or in the countryside, modern media allows you to move quickly and quickly lose your hometown.
The writer is more eager than anyone to return to his hometown, and more eager than anyone to forget the image in his work. When your local party finds its corresponding role in the work, it is an embarrassing thing anyway, and it is easy to generate moral questioning and binding.
"As a dog of Westerners, your father died and didn't come back for the funeral, but now you have the face to come back", these questions should have been considered by Daniel. It's just that he returned after taking the reputation of a "literary master" impartially. This is a review, not a relative saving.
so. It is not only Mo Yan who can comment on this film, but also you and me. It is a question that anyone who thinks they have achieved a small achievement should look at when they have the urge to return home.
"Be famous as early as possible", because the sooner you can know the truth of being famous, the more you can be calm and correct, and the more you can enrich your "character connotation" as a writer.
Salinger, 32, became a star writer for "The Catcher in the Rye" and then reclusive until he was 100. If this is our requirement for the character of the writer, it would be a bit harsher. First of all, the media does not allow it.
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