The opening chapter sneered at the communists, making the political performance of the great poet seem comical and childish, making people confused whether it was Zhuang or Xie. Later, with the pursuit of Neruda, political intrigue and self-performance were vividly expressed as fugitives-a gorgeous sadomasochism of the police: the cunning and arrogant fugitives, the shameful and inferior policemen started the game to be remembered in history, and Santiago all the way to the history. South, the undertones of poverty and romance that accompany Latin America seem to have nothing to do with politics. The final scene ends in the high-altitude snow of the Andes, and the romance is to die for.
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