Reasons for recommendation: "Afterlife" theme, unlimited use of brain holes, MARA Yan
This is the first film I've seen in which Mara is the female lead. I'm looking forward to it, and there is such a mysterious "afterlife" that is very attractive. But after watching it, I feel that this is more of a literary film, less sci-fi, and even the words "small format" appeared in my head. . . Even when I see 90%, I feel like a waste of this brave subject.
The story is that the powerful male protagonist's father has developed an incredible theory, but from another perspective, it has promoted the suicide frenzy of "it's great, I can say FUCK OFF to this world and leave". In such a "frenzy" background, the male protagonist meets the female protagonist, saves her, and invites her to participate in the proof of the doctrine. As the story progresses, the "afterlife" theory is gradually confirmed, and my father not only made academic progress, but also solved the knot in his heart for many years. The father who figured it out, the heroine left unexpectedly when he was about to seal everything, and the sad hero only thought of going to see her in the "afterlife". So the truth about "reincarnation, afterlife, correction, and obsession" was revealed, until finally the male protagonist saw the female protagonist leave at the beach, and suddenly turned around, and the story ended.
Allow me to spit out two words first: First, I can understand the cold style of painting, but I don’t stand in line with the emotional line generated by the male and female protagonists using expressionless and deliberate language, and the male and female protagonists are poor? No, I think it may be the reason why the character's personality is weakened and the story is more focused? The director is not good at being Mara's boyfriend. I don't like the scene where the cold-faced guns are still waiting for the camera to cut through...
The second is that the female supporting cast is jealous and can be used as a lead, but it is really difficult to digest all the focus to the last ten minutes, which leads to a loss of points. . . . If you really want to try this, you must have a bug.
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So why do I still recommend it? In addition to the simple recommended keywords written earlier, I really want to talk about the point of "memory correction". Thinking of "Arrival", which I watched at home during the winter vacation, I have to say that the film and television boom is getting more and more crowded in the future, technology, and robot aliens. "Arrival" is a very simple story but very MOVE. I briefly watched it in the film review, and most of them are like me. MOVE is in "Everyone will eventually die. If you know the ending of the future, how will you live? This kind of When talking about people, it is the beauty that lives toward death." "Faced with regrets, facing the established, we have to live this life."
So give you another chance? What will you do? To change, give yourself a chance to give the other person a chance. It's not that perfect, but there is a possibility that you can still spend a good time with me. I think everyone does this. The male protagonist of the film is like this, step-by-step corrections, repeated cycles, turning simple encounters into affectionate obsessions, I don't know if this is right or not, but on the other hand, his father decided to let go after seeing his wife and came back, I think it's better that way. The male protagonist is obsessed with saying that he should always remember Yiren and succeed in his last life to show his true feelings. This is where I am not satisfied with the ending.
Then the most interesting thing should be the brain hole you open up after watching the review carefully. Anyway, my countermeasure is to never get tired of it, for example:
the male protagonist continues to move forward from one lifetime to another until one day he marries the female protagonist and has a child, and then slowly discovers that he is his father.
The female protagonist also recycles each other's redemption to redeem herself when the male protagonist recycles.
The discovery that alters the "afterlife" in the final cycle, the "frenzy" caused by this doctrine ceases to exist.
. . . . . . .
So in the end, I'm thinking, whether we live in a "cycle" or not, whether there are opportunities to "correct" again and again, and whether there is a possibility of immortality in the future. I was thinking about the need to manage obsessions. Let the most regrettable thing be remembered, but not let it fetter our life. Maybe, there really isn't that many lifetimes to change.
An article I read today is very touching. During festivals like Qingming, there will always be rainy days in the south. No matter whether there are raindrops or not, gloom is always on my mind. Yes, we will face the departure of relatives and friends, and we will go through such a period of "really regretful" sadness, but you will find that such "parting" belongs to you only, and such sadness can only be overcome by yourself. . When facing the departure of a loved one for the first time, although there was a long period of psychological presupposition, but when the moment comes, no matter how powerful the presupposition wall will collapse, at a loss and regret will be in my heart. Noisy etiquette is for some people to divert attention and for some people to express their strong emotions, but after all, it is the moment to take the last handful of loess and pour it out in an instant.
There have always been regrets, but nothing can be changed. We can only live a better life for the rest of our lives, so that they no longer care about them. After all, we have already worried enough before, right?
Next, let’s talk to current family and friends.
MISS FOREVER.
2017.04.04
This article is updated on the personal public account: No. 17, Twelfth Floor—
NIGHT—
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