Objectively speaking, the plot is very nonsense, or if Erika's role is changed to a man's identity, it is really a typical scumbag. The private life is chaotic, and the beginning is chaotic and the end is abandoned. As a roofer, he takes a fancy to the straight man who has been engaged and destroys the original peaceful life of the family. And, the girl's fiancé is still a rich and handsome guy who has been in love for six years.
Well, it doesn't matter, none of this matters.
Although there is such a plot setting that is so irritating and various slots, it does not prevent the two heroines from being quite similar. The key director is very good, and he is very good at making such a scumbag emotional relationship into a small fresh literary film.
Even if there are very frequent love scenes in the film, the scale is staggering, but it does not prevent this film from being deliberately handled with a particularly literary and seemingly pure love tone.
The director's ability to beautify and twist is simply admirable and amazing, so I silently and willfully gave five stars. . .
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