The classic elements of Woody Allen: the plot is engaged, the dialogue with Blanche, emotional anxiety, the theme is absurd. The film itself seems to be a doppelganger detached from his self-substance, full of a sense of bewildered, confused and confused teenager, a typical pessimistic romantic nihilistic personality with a supple appearance and a paranoid inner paranoid. The viewing process is like an hour or two of extremely loose consciousness. Liu Tucao, especially the early works, feels a lot like hemp flakes, the difference is that there are directional content outputs: about self, love, and social identity. . full of absurd powerlessness
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