There are some movies with simple storylines and slow shots that are always praised for their simplicity, such as "Paris, Texas." But I don't think the story can be said to be simple just because it's simple.
True simplicity is about authenticity and passion; add to that humble shot and you have Entre Les Murs.
The French seem to be born with the ability to naturally show their true state. We can often get a glimpse of the overall situation of society and the appearance of the entire nation from some movies that are originally intended to express individual souls.
After listening to this lesson in the film, different people will definitely have very different reactions. French white people should be like one of the French women when Mrs. Carr met the parents alone: clear thinking and clear speech. His words and deeds will show his comprehension after being influenced by civilization, and he will give a fair evaluation to the film; if he is a Chinese high school student, he may once again feel the unfettered classrooms in developed countries and the teachers who never tire of persuading him; if he is an intellectual, he may I will appreciate this kind of atmosphere where teachers and students treat each other as equals and convince people with reason; those who are no longer young will sigh at the time, and so on. Of course, even if these speculations exist, they are actually just the coat of the film, and they are also the most intuitive feelings of people. As Ye Ci said in his poem:
I turn my poetry into a coat
with ancient myths
embroidered
...
But the fools took him
...
Poetry, let them take it
because walking naked
have more work
What the director really wanted to talk about was the various conflicts brought about by racial integration in the Parisian body, and finally managed to complete the discussion in only a small classroom. There are some things, although you will agree with the school's practice in terms of social status and reasonable plausibility, if you are the head teacher, I am afraid there is no better way. In the end, things on campus must be done according to the rules of the campus. After going out, even if there is a big thing, the school is beyond the reach of the school, and it is already beyond the ability of one or two well-meaning people (“Even if there is a slight chance that he will be sent back.” Mali I don't want to take that risk either," he said. Mais en fin...). This is where the head teacher has to let go.
The empty mirror in the classroom at the end of the film is very powerful. People go to the classroom with empty desks, which evokes people's mixed feelings, and their thoughts drift to the voice outside the picture.
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