The film should have a hidden background of the times. In the late 1990s and early 20th century, Eastern Europe was in turmoil, and a large number of women from good families were forced to embark on the road of XX. The heroine in the play suffered an unimaginable tragic encounter and became an unimaginable tragedy. Sex slaves and surrogacy tools, relying solely on biological instincts to survive in the world. In the gray life, two people gave her light and a glimmer of hope. One was a sunny guy, who didn't dislike her, but was kind to her instinctively, and the other was the youngest of the nine children. That child became her motivation and hope for the rest of her life to continue living or live like a normal person, so she went to great lengths to get in touch with the family who adopted the child. No matter what kind of young and innocent child was, she would be disdain to work hard. Target.
Speaking of which, I think the director is a little distorted, telling the story with a very suspenseful story background and narrative style, which makes the suspense higher than the depth, and even some horror elements, which I personally think dilute the theme .
Speaking of that kid, I believe she's the heroine's girl. The two of them have the same hairstyle, the same disease manifestations, and very consistent birth dates; what the female lawyer said, I would like to believe, was a white lie, adding some warm colors to the plot.
Speaking of divergence, Europe should be a place where Christianity is prevalent. Original sin and the cleansing of sin are a kind of ideological belief, but similar events such as concentration camps seem to be promoting the malignant amplification of human beings in the reverse direction. I don’t know if there is some deep level. s reason.
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