The rhythm is not fast, so there should be enough time to tell the story to be more moving and deeper. It may be that the three story lines jumped so that the director had to choose one main line, but the main line was not clearly explained. If you are suspected of being forced, of course, if you choose to pretend to be literary and say half of the lines, you will also have to bear the consequences. But the story of the writer is like this, how much the storyteller has to do with the story itself, others can never tell, so the audience finally has to rely on their own imagination to fill in the story in their hearts.
Three stories (of course can also be considered two), but to tell you that fame and fortune is a double-edged sword.
The one who justly created fame and fortune, when the fame and fortune was lost by his wife, he chose to complain and accuse his wife. Yes, compared to fame and fortune, the beloved woman who just returned to his side seems to be unimportant. He lost fame and fortune and messed up love.
The old man told him, you take the story, you take the pain. The old man also told him the solution, but it was very difficult to do: live with your choice. The love between him and his wife will never be as pure as when he had no fame and fortune.
Those who have gained fame and fortune, did not get love in the end, guarding the empty mansion alone. Assuming that the writer who is the narrator is not the one who steals the story, he may be so obsessed with fame and fortune that his marriage fails, these can only be guesses. I'd rather believe that he was actually the one who stole the story, and he didn't even tell anyone as he wrote that his last life was as one of his fans said: fucked.
So if you are a thief, don't have a conscience.
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