Blurred thriller theme, audio-visual techniques are very old-fashioned. The audience is obviously mentally prepared for the explosion, but they are still heartbroken by the dynamic tension created by the characters entering the minefield, which in turn lays a solid foundation for the atmosphere of the whole film. The only shortcoming is that the first gap and the ending scene are not complementary, which deviates from the viewing habits of regular Los Angeles fans. Art and photography were great, but unfortunately they failed in the scouting of desert minefields. Movies are in the digital age. This kind of psychology is directed towards movies. If the setting of the desert minefield is more directional, the star rating of the movie should be improved by a few points (see the practice of "Youth Pie"). At the four lanes, the tiredness and lack of water displayed by the long eyelashes produced a strong sense of substitution. A man, a piece of sand, a thunder. Confusion, fear, loneliness, pain, regret. These emotions are all played out by Armie Hammer. Magical realism shows the passage of time and Mike's torment. With the stacking of shots, Armie Hammer not only completed the transformation in appearance, but also gradually produced subtle changes in emotion, paving the way for the final big dog blood. The idea of this film is very good, it is not so much a thriller as it is a practical psychological healing film. It also tells the story of being trapped to get out. "The Rest of the Desert Island" is about loneliness, while this film is about freedom. Everyone has experienced the feeling of being trapped more or less. But never thought about it: prisoners have four walls of prisoners, and free people have walls of free people. The sledgehammer standing on the mine perfectly interprets both types of walls. The film uses almost seamless symbolism to deal with Mike's self-distressed mood before joining the army and after stepping on the mine, which is quite a film quality.
everyone's feet,
There is a mine that dare not let go.
everyone's heart,
There is a thick brick wall that you can't get out of.
This thunder may be a shadow of childhood, a ridicule, or a heart-piercing love, and these dark memories have become wounds that will never be erased. These wounds are like hungry wolves in the cold night desert. Unscrupulously open her bright red lips, tearing around you repeatedly.
We all live within walls. The boundary of the wall depends on the width of your heart.
Mike saw the brightest smile ever since he took a new step.
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