A film expressed through composition and scenes. The only two bloodlines left in the family, the completely different lives they have lived with a common origin, are like a contrast, and there is a sense of interweaving between threads. There is no doubt that the aunt has more storytelling. The death part is actually very neat and beautiful, and I like it very much. It was as if she was finally freed from the burden of the past and the sinking life, and relieved her long-standing burden. In contrast, Ada is more like being the only one in the family who is blessed with luck... My favorite scene of her is at the end, when she is walking back to the monastery. There is a sense of firmness.
In addition, the section of the dam river in the radio news seems to be a bit interesting, and I will listen to it again when I have a chance. After my aunt's funeral, the saxophone man who suddenly appeared was somewhat abrupt, as if he had to appear at this time. This "appearance" itself was somewhat blunt and unnatural (perhaps it was a problem with the version of the movie I saw). ).
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