I think there are two kinds of irony, one is to let people sit on the sidelines and learn a lesson or understand a truth after the irony is over, and the other is to make you feel "I unintentionally set a peerless flag and hit myself hard. face", but there is no room for turning around. In 211, the main tone of the whole film is the former irony, while the flashbacks and interesting plots in the film belong to the second.
At the beginning of the film, the 211 prisoners cut their wrists (not the wrists, but the arms) by vertical cuts. I thought it was a moral, the way of suicide was very professional, and I felt full of sincerity. Coincidentally, the male protagonist of the prison guard was thrown into the temporarily empty 211 cell in a state of unclear personnel, and then he was involved in the criminal riot. The male protagonist's IQ hasn't really dropped in the whole process, so you can watch it with peace of mind.
The male protagonist's wife is a character with a high sense of presence, and several coincidences are related to her. In the beginning, she saved the male protagonist, but it was also the direct cause of the uncontrollable development of the plot. It is because of her that the male protagonist's IQ explodes, and it is also because of her that the male protagonist is blackened "against the host and the guest". Of course, the G-spot of the barrage guest at station B still remains at "Stupid women prevent the bosses from succeeding in rebelling, damn it." The
reason why 211 has received a lot of praise is that the essence of it is that it is open to human nature. Many people watched the film with enthusiasm: the team of beating, smashing, looting and burning led by the "evil mother" finally rebelled and became the master of the prison, taking hostages and threatening officials, without having to negotiate with other people in handcuffs and shackles. The film uses a lot of cheers, violence, grim eyes, hesitation, caution, trembling and anxiety, to create a feeling that the bosses inside the prison have the upper hand and the officials outside the prison have the disadvantage. Ultimately, however, the cheering of the criminals is to hide the fear of the failure of the insurrection, and it is the hope of lingering to extract life from the evil mother. The officials were cautious, because they were afraid that the death of the hostage would lead to revenge from terrorists in other countries.
Bought off the evil mother, gave up the male lead, placed eyeliner, and made internal divisions. This step by step, the people who were led by the nose have always been the people in the prison.
In fact, at the beginning, the criminals wanted freedom and hope in the negotiation, rather than going all the way to the black and killing the other party, which was destined to have the most ironic ending.
Where there is hope, weakness must exist. No matter how many ways to develop the plot, the ending is always BE.
It ends with the official "Is there anything else to ask?" What it says, what it means. There are many things you can ask, but he can always give you back, so it doesn't matter if you ask or not. Anyway, I'm telling you that the height of the devil is one foot, and the height of the road is one foot.
View more about Celda 211 reviews
